Music of Albania in the context of "Antiphon"

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⭐ Core Definition: Music of Albania

The music of Albania (Albanian: Muzika Shqiptare) is associated with the country of Albania and Albanian communities. Music has a long tradition in the country and is known for its regional diversity, from the Ghegs in the North to the Tosks in the South. It is an integral part of the national identity, strongly influenced by the country's long and turbulent history, which forced Albanians to protect their culture from their overlords by living in rural and remote mountains.

Albanian popular music often incorporates the country's folk music. Albanian folk music includes monophonic and polyphonic styles, responses, choral, instrumental and vocal music. Each region has a unique musical tradition that reflects its history, language and culture. Polyphonic singing and song forms are primarily found in South Albania, while in the North they are predominantly monophonic. Albanian iso-polyphony has been declared an UNESCO Intangible Cultural Heritage of Humanity. The Gjirokastër National Folklore Festival, held every five years in Gjirokastër, is an important venue exhibiting traditional Albanian music.

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Music of Albania in the context of Albanian culture

Albanian culture or the culture of Albanians (Albanian: kultura shqiptare [kultuˈɾa ʃcipˈtaɾɛ]) is a term that embodies the artistic, culinary, literary, musical, political and social elements that are representative of ethnic Albanians, which implies not just Albanians of the country of Albania but also Albanians of Kosovo, North Macedonia and Montenegro, where ethnic Albanians are a native population. Albanian culture has been considerably shaped by the geography and history of Albania, Kosovo, parts of Montenegro, parts of North Macedonia, and parts of Northern Greece, traditional homeland of Albanians. It evolved since ancient times in the western Balkans, with its peculiar language, pagan beliefs and practices, way of life and traditions. Albanian culture has also been influenced by the Ancient Greeks, Romans, Byzantines and Ottomans.

The name 'Albanian' derived from the Illyrian tribe of the Albanoi and their capital in Albanopolis that was noted by Ptolemy in ancient times. Previously, Albanians called their country Arbëri or Arbëni and referred to themselves as Arbëreshë or Arbëneshë until the sixteenth century as the toponym Shqipëria or Shqypnia and the endonym Shqiptarë or Shqyptarë gradually replaced Arbëria and Arbëresh. The terms Shqipëria and Shqiptarë are popularly interpreted respectively as the "Land of Eagles" and "Children of Eagles" / "Eagle-Men".

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Music of Albania in the context of Gjirokastër National Folk Festival

Gjirokastër National Folk Festival (Albanian: Festivali Folklorik Kombëtar i Gjirokastrës) is an artistic festival taking place every five years at Gjirokastër Castle in Gjirokastër, southern Albania. The festival was first held in 1968 and is regarded as the most important event in Albanian culture. The festival showcases Albanian traditional music, dress and dance from Albania, the diaspora, and Albanian inhabited lands throughout the Balkans and Southern Italy. The Gjirokastër Festival followed the tradition of the Folklore Festivals started in Tirana in 1949.

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Music of Albania in the context of Vasil Tole

Vasil S. Tole (born 22 November 1963) is an Albanian composer, ethnomusicologist, and cultural administrator. A proponent of European classical music, his compositions encompass opera, chamber music, orchestral works, symphony and instrumental concerts, and various pieces for small ensembles and solo instruments. He is the author of several books, primarily focusing on Albanian music.

Tole has served as a professor at the University of Arts in Tirana since 1994. He also holds multiple leadership roles in cultural institutions, including head of the Department for Cultural Heritage at the Albanian Ministry of Culture, president of the National Music Council, and a member of the International Music Council.

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