Museo Pio-Clementino in the context of "Caduceus"

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⭐ Core Definition: Museo Pio-Clementino

The Vatican Museums (Italian: Musei Vaticani; Latin: Musea Vaticana) are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the best-known Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments.

Pope Julius II founded the museums in the early 16th century. The Sistine Chapel, with its ceiling and altar wall decorated by Michelangelo, and the Stanze di Raffaello (decorated by Raphael) are on the visitor route through the Vatican Museums, considered among the most canonical and distinctive works of Western and European art.

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👉 Museo Pio-Clementino in the context of Caduceus

The caduceus (☤; /kəˈdjʃəs, -siəs/; from Latin cādūceus, from Ancient Greek κηρύκειον (kērúkeion) 'herald's wand, staff') is the staff carried by Hermes in Greek mythology and consequently by Hermes Trismegistus in Greco-Egyptian mythology. The same staff was borne by other heralds like Iris, the messenger of Hera. The short staff is entwined by two serpents, sometimes surmounted by wings. In Roman iconography, it was depicted being carried in the left hand of Mercury, the messenger of the gods.

Some accounts assert that the oldest imagery of the caduceus is rooted in Mesopotamia with the Sumerian god Ningishzida; his symbol, a staff with two snakes intertwined around it, dates back to 4000 BC to 3000 BC. This iconography may have been a representation of two snakes copulating.

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Museo Pio-Clementino in the context of Reign of Cleopatra

The reign of Cleopatra VII of the Ptolemaic Kingdom of Egypt began with the death of her father, Ptolemy XII Auletes, by March 51 BC. It ended with her suicide in August 30 BC, which also marked the conclusion of the Hellenistic period and the annexation of Egypt into a Roman province. In the style of her Greek predecessors, Cleopatra reigned over Egypt and other territories as an absolute monarch, although the Roman Republic frequently interfered in its internal affairs. Her personal rule of Egypt was characterized by a continued reliance on agriculture, extensive trade and conflict with other states, the tackling of corruption, strategic management of the bureaucracy, and ambitious building projects.

Cleopatra initially acceded to the throne alongside her younger brother Ptolemy XIII, but a fallout between them led to open civil war. Further chaos ensued when the Roman consul Julius Caesar pursued his rival Pompey into Ptolemaic Egypt, a Roman client state. Upon arrival, Caesar discovered that Pompey had been assassinated on the orders of Ptolemy XIII. Caesar attempted to reconcile the siblings, but a discontent Ptolemy XIII and his adviser Potheinos raised forces against Caesar and Cleopatra. Reinforcements lifted the siege in early 47 BC, and Ptolemy XIII died shortly afterwards in the Battle of the Nile. Arsinoe IV (Cleopatra's younger sister and a rival claimant to the throne) was exiled, and Caesar, now dictator, declared Cleopatra and her younger brother Ptolemy XIV co-rulers of Egypt. However, Caesar maintained a private affair with Cleopatra that produced a son, Caesarion, before he departed Alexandria for Rome.

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Museo Pio-Clementino in the context of Thyrsus

In Ancient Greece a thyrsus (/ˈθɜːrsəs/) or thyrsos (/ˈθɜːrsɒs/; Ancient Greek: θύρσος) was a wand or staff of giant fennel (Ferula communis) covered with ivy vines and leaves, sometimes wound with taeniae and topped with a pine cone, artichoke, fennel, or by a bunch of vine-leaves and grapes or ivy-leaves and berries, carried during Hellenic festivals and religious ceremonies. The thyrsus is typically associated with the Greek god Dionysus (and his subsequent Roman equivalent Bacchus) as a symbol of prosperity, fertility, and hedonism.

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Museo Pio-Clementino in the context of Julia gens

The gens Julia was one of the most prominent patrician families of ancient Rome. From the early decades of the Republic, members of this gens served in the highest offices of the Roman state, beginning with Gaius Julius Iulus, consul in 489 BC. However, the Julii are perhaps best known for Gaius Julius Caesar, the dictator and adoptive father of the emperor Augustus, through whom the name was passed to the Julio-Claudian dynasty of the first century AD. The nomen Julius became very common in imperial times, as the descendants of persons enrolled as citizens under the early emperors began to make their mark in history.

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Museo Pio-Clementino in the context of Hellenism (neoclassicism)

Neoclassical Hellenism is a term introduced primarily during the European Romantic era by Johann Joachim Winckelmann.

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Museo Pio-Clementino in the context of Sarcophagi of Helena and Constantina

The Sarcophagi of Helena and Constantina are two fourth century porphyry sarcophagi located in the Pio-Clementine Vatican Museum in Rome.

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