Muse in the context of Miscellany


Muse in the context of Miscellany

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⭐ Core Definition: Muse

In ancient Greek religion and mythology, the Muses (Ancient Greek: Μοῦσαι, romanizedMoûsai, Greek: Μούσες, romanizedMúses) were the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture.

The number and names of the Muses differed by region, but from the Classical period the number of Muses was standardized to nine, and their names were generally given as Calliope, Clio, Polyhymnia, Euterpe, Terpsichore, Erato, Melpomene, Thalia, and Urania.

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👉 Muse in the context of Miscellany

A miscellany (UK: /mɪˈsɛləni/, US: /ˈmɪsəlni/) is a collection of various pieces of writing by different authors. Meaning a mixture, medley, or assortment, a miscellany can include pieces on many subjects and in a variety of different forms. In contrast to anthologies, whose aim is to give a selective and canonical view of literature, miscellanies were produced for the entertainment of a contemporary audience and so instead emphasise collectiveness and popularity. Laura Mandell and Rita Raley state:

Manuscript miscellanies are important in the Middle Ages, and are the sources for most surviving shorter medieval vernacular poetry. Medieval miscellanies often include completely different types of text, mixing poetry with legal documents, recipes, music, medical and devotional literature and other types of text, and in medieval contexts a mixture of types of text is often taken as a necessary condition for describing a manuscript as a miscellany. They may have been written as a collection, or represent manuscripts of different origins that were later bound together for convenience. In the early modern period miscellanies remained significant in a more restricted literary context, both in manuscript and printed forms, mainly as a vehicle for collections of shorter pieces of poetry, but also other works. Their numbers increased until their peak of importance in the 18th century, when over 1000 English poetry miscellanies were published, before the rise of anthologies in the early 19th century. The printed miscellany gradually morphed into the format of the regularly published magazine, and many early magazines used the word in their titles.

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Muse in the context of Zeus

Zeus (/zjs/, Ancient Greek: Ζεύς) is the chief deity of the Greek pantheon. He is a sky and thunder god in ancient Greek religion and mythology, who rules as king of the gods on Mount Olympus.

Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, though sometimes reckoned the eldest as the others required disgorging from Cronus's stomach. In most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Eileithyia, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be Dione, by whom the Iliad states that he fathered Aphrodite. According to the Theogony, Zeus's first wife was Metis, by whom he had Athena. Zeus was also infamous for his erotic escapades. These resulted in many divine and heroic offspring, including Apollo, Artemis, Hermes, Persephone, Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses.

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Muse in the context of Old Comedy

Old Comedy is the first period of the ancient Greek comedy, according to the canonical division by the Alexandrian grammarians. The most important Old Comic playwright is Aristophanes – whose works, with their daring political commentary and abundance of sexual innuendo, de facto define the genre. The only extant plays of Old Comedy are credited to Aristophanes. There are only fragments and 'testimonia' of all other Old Comedy playwrights and plays.

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Muse in the context of Polyhymnia

Polyhymnia (/pɒliˈhɪmniə/; Greek: Πολυύμνια, lit.'the one of many hymns'), alternatively Polymnia (Πολύμνια), is, in Greek mythology, the Muse of sacred poetry, sacred hymn, dance and eloquence, as well as agriculture and pantomime.

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Muse in the context of Calliope

In Greek mythology, Calliope (/kəˈl.əpi/ kə-LY-ə-pee; Ancient Greek: Καλλιόπη, romanizedKalliópē, lit.'beautiful-voiced') is the Muse who presides over eloquence and epic poetry, so called from the ecstatic harmony of her voice. Hesiod and Ovid called her the "Chief of all Muses".

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Muse in the context of Clio

In Greek mythology, Clio (traditionally /ˈkl/, but now more frequently /ˈkl/; Greek: Κλειώ), also spelled Kleio, Сleio, or Cleo, is the muse of history, or in a few mythological accounts, the muse of lyre-playing.

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Muse in the context of Melpomene

Melpomene (/mɛlˈpɒmɪn/; Ancient Greek: Μελπομένη, romanizedMelpoménē, lit.'to sing' or 'the one that is melodious') is the Muse of tragedy in Greek mythology. She is described as the daughter of Zeus and Mnemosyne (and therefore of power and memory) along with the other Muses, and she is often portrayed with a tragic theatrical mask.

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Muse in the context of Pierides (mythology)

In Greek mythology, the Pierides (Ancient Greek: Πιερίδες) or Emathides (Ἠμαθίδες) were the nine sisters who defied the Muses in a contest of song and, having been defeated, were turned into birds. The Muses themselves are sometimes called by this name.

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Muse in the context of Jane Morris

Jane Morris (née Burden; 19 October 1839 – 26 January 1914) was an English embroiderer in the Arts and Crafts movement and an artists' model who embodied the Pre-Raphaelite ideal of beauty. She was a model and muse to her husband William Morris and to Dante Gabriel Rossetti. Her sister was the embroiderer and teacher Elizabeth Burden.

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Muse in the context of Kanteletar

Kanteletar is a collection of Finnish folk poetry compiled by 19th-century Finnish linguist Elias Lönnrot. It is considered to be a sister collection to the Finnish national epic Kalevala. The poems of Kanteletar are based on the trochaic tetrameter, generally referred to as "Kalevala metre".

The name consists of the base word kantele (a Finnish zither-like instrument) and the feminising morpheme -tar and can be roughly interpreted as "maiden of the kantele" or "zither-daughter", a kind of muse.

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Muse in the context of Jean Marais

Jean-Alfred Villain-Marais (11 December 1913 – 8 November 1998), known professionally as Jean Marais (French: [ʒɑ̃ maʁɛ]), was a French actor, film director, theatre director, painter, sculptor, visual artist, writer and photographer. He performed in over 100 films and was the lover, muse and friend of acclaimed director Jean Cocteau. In 1996, he was awarded the French Legion of Honor for his contributions to French cinema.

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Muse in the context of George Romney (painter)

George Romney (26 December [O.S. 15 December] 1734 – 15 November 1802) was an English painter. He was the most fashionable artist of his day, painting many leading society figures – including his artistic muse, Emma Hamilton, mistress of Lord Nelson.

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Muse in the context of 22 Kalliope

22 Kalliope (/kəˈl.əpi/; kə-LY-ə-pee) is a large M-type asteroid from the asteroid belt discovered by J. R. Hind on 16 November 1852. It is named after Calliope, the Greek Muse of epic poetry. It is orbited by a small moon named Linus.

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