Mr. Tambourine Man (album) in the context of "Cover version"

Folk rock is a fusion genre of rock music with heavy influences from pop, English and American folk music. It arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.

The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums Bringing It All Back Home (1965), Highway 61 Revisited (1965), and Blonde on Blonde (1966)—encouraged other folk acts, such as Simon & Garfunkel, to use electric backing on their records and new groups, such as Buffalo Springfield, to form. Dylan's controversial appearance at the Newport Folk Festival on 25 July 1965, where he was backed by an electric band, was also a pivotal moment in the development of the genre.

The Byrds (/bɜːrdz/ BURDZ) were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes; frontman Roger McGuinn (known as Jim McGuinn until mid-1967) was the sole consistent member. For a short time in the mid-1960s, the Byrds were among the most popular groups in the world, with critics considering them to be among the most influential rock acts of their era. The band's signature sound of "angelic harmonies" and McGuinn's jangly 12-string Rickenbacker guitar sound was "absorbed into the vocabulary of rock" and has continued to be influential.

Initially, the Byrds pioneered the musical genre of folk rock as a popular format in 1965 by melding the influence of the Beatles and other British Invasion bands with contemporary and traditional folk music on their first and second albums and the hit singles "Turn! Turn! Turn!" and "Mr. Tambourine Man". As the 1960s progressed, the band was influential in originating psychedelic rock and raga rock, with their song "Eight Miles High" (1966) and the albums Fifth Dimension (1966), Younger Than Yesterday (1967), and The Notorious Byrd Brothers (1968). The band also helped pioneer country rock, particularly with the 1968 album Sweetheart of the Rodeo.

"Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.

The song has been performed and recorded by many artists, including the Byrds, Judy Collins, Melanie, Odetta, Alvin and the Chipmunks, and Stevie Wonder among others. The Byrds' version was released in April 1965 as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success. Dylan himself was partly influenced to record with electric instrumentation after hearing the Byrds' reworking of his song during one of their rehearsals at World Pacific Studios in late 1964.