Motif (folkloristics) in the context of "Stith Thompson"

A dying-and-rising god, life–death–rebirth deity, or resurrection deity is a religious motif in which a god or goddess dies and is resurrected. Examples of gods who die and later return to life are most often cited from the religions of the ancient Near East. The traditions influenced by them include the Greco-Roman mythology.The concept of a dying-and-rising god was first proposed in comparative mythology by James Frazer's seminal The Golden Bough (1890). Frazer associated the motif with fertility rites surrounding the yearly cycle of vegetation. Frazer cited the examples of Osiris, Tammuz, Adonis and Attis, Zagreus, Dionysus, and Jesus.

Frazer's interpretation of the category has been critically discussed in 20th-century scholarship, to the conclusion that many examples from the world's mythologies included by Frazer under "dying and rising" should only be considered "dying" but not "rising", and that the genuine dying-and-rising god is a characteristic feature of ancient Near Eastern mythologies and the derived mystery cults of late antiquity. "Death or departure of the gods" is motif A192 in Stith Thompson's Motif-Index of Folk-Literature (1932), and "resurrection of gods" is motif A193.

Wicca (English: /ˈwɪkə/), is a modern pagan, syncretic, Earth-centred religion. Considered a new religious movement by scholars of religion, the path evolved from Western esotericism, developed in England during the first half of the 20th century, and was introduced to the public in 1954 by Gerald Gardner, a retired British civil servant. Wicca draws upon ancient pagan and 20th-century Hermetic motifs for theological and ritual purposes. Doreen Valiente joined Gardner in the 1950s, further building Wicca's liturgical tradition of beliefs, principles, and practices, disseminated through published books as well as secret written and oral teachings passed along to initiates.

Many variations of the religion have grown and evolved over time, associated with a number of diverse lineages, sects, and denominations, referred to as traditions, each with its own organisational structure and level of centralisation. Given its broadly decentralised nature, disagreements arise over the boundaries that define Wicca. Some traditions, collectively referred to as British Traditional Wicca (BTW), strictly follow the initiatory lineage of Gardner and consider Wicca specific to similar traditions, excluding newer, eclectic traditions. Other traditions, as well as scholars of religion, apply Wicca as a broad term for a religion with denominations that differ on some key points but share core beliefs and practices.

The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. The trio are generally conceived of as sisters and are often given the names Clotho, Lachesis, and Atropos, which are the names of the Moirai, the version of the Fates who appear in Greek mythology. These divine figures are often artistically depicted as beautiful maidens with consideration to their serious responsibility: the life of mortals. Poets, on the other hand, typically express the Fates as ugly and unwavering, representing the gravity of their role within the mythological and human worlds.

A dying god, or departure of the gods, is a motif in mythology in which one or more gods (of a pantheon) die, are destroyed, or depart permanently from their place on Earth to elsewhere.

Henri Frankfort speaks of the dying god as " The dying God is one of those imaginative conceptions in which early man made his emotional and intellectual preoccupations explicit." Saying the myth of the dying gods is a concept made by man to bring comfort to the concept of death. If gods can die then man can too. The dying god brings comfort in the unknown and makes it known.

The king asleep in the mountain (D 1960.2 in Stith Thompson's motif-index) is a prominent folklore trope found in many folktales and legends. Thompson termed it as the Kyffhäuser type. Some other designations are king in the mountain, king under the mountain, sleeping hero, or Bergentrückung ("mountain rapture").

Examples include the legends of King Arthur, Fionn mac Cumhaill, Charlemagne, Ogier the Dane, King David, Frederick Barbarossa at Kyffhäuser, Falanto of Taranto, Genghis Khan, Constantine XI Palaiologos, Kraljević Marko, Sebastian of Portugal and King Matjaž.