Molière in the context of "The Miser"

Jean-Baptiste Racine (/ræˈsiːn/ rass-EEN, US also /rəˈsiːn/ rə-SEEN; French: [ʒɑ̃ batist ʁasin]; 22 December 1639 – 21 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille, as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as Phèdre, Andromaque, and Athalie. He did write one comedy, Les Plaideurs, and a muted tragedy, Esther, for the young.

Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage.

Titus Maccius Plautus (/ˈplɔːtəs/ PLAW-təs; c. 254 – 184 BC) was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by Livius Andronicus, the innovator of Latin literature. The word Plautine /ˈplɔːtaɪn/ (PLAW-tyne) refers to both Plautus's own works and works similar to or influenced by his.He influenced some of the greatest figures in literature, including Shakespeare and Molière (The Miser is partly modeled after Plautus's Aulularia).

Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir An Apology for the Life of Colley Cibber (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière [and] hapless Shakespeare".

He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became the chief target, the head Dunce, of Alexander Pope's satirical poem The Dunciad.

Amphitryon (/æmˈfɪtriən/; Ancient Greek: Ἀμφιτρύων, gen.: Ἀμφιτρύωνος; usually interpreted as "harassing either side", Latin: Amphitruo), in Greek mythology, was a son of Alcaeus, king of Tiryns in Argolis. His mother was named either Astydameia, the daughter of Pelops and Hippodamia, or Laonome, daughter of Guneus, or else Hipponome, daughter of Menoeceus. Amphitryon was the brother of Anaxo (wife of Electryon), and Perimede, wife of Licymnius. He was a husband of Alcmene, Electryon's daughter, and stepfather of the Greek hero Heracles.

Pierre Corneille (/kɔːrˈneɪ/; French: [pjɛʁ kɔʁnɛj]; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great 17th-century French dramatists, along with Molière and Racine.

As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, Le Cid, about the medieval Spanish warrior, which was denounced by the newly formed Académie française for breaching the unities. He continued to write well-received tragedies for nearly forty years.

Misanthropy is the general hatred, dislike, or distrust of the human species, human behavior, or human nature. A misanthrope or misanthropist is someone who holds such views or feelings. Misanthropy involves a negative evaluative attitude toward humanity that is based on humankind's flaws. Misanthropes hold that these flaws characterize all or at least the greater majority of human beings. They claim that there is no easy way to rectify them short of a complete transformation of the dominant way of life. Various types of misanthropy are distinguished in the academic literature based on what attitude is involved, at whom it is directed, and how it is expressed. Either emotions or theoretical judgments can serve as the foundation of the attitude. It can be directed toward all humans without exception or exclude a few idealized people. In this regard, some misanthropes condemn themselves while others consider themselves superior to everyone else. Misanthropy is sometimes associated with a destructive outlook aiming to hurt other people or an attempt to flee society. Other types of misanthropic stances include activism by trying to improve humanity, quietism in the form of resignation, and humor mocking the absurdity of the human condition.

The negative misanthropic outlook is based on different types of human flaws. Moral flaws and unethical decisions are often seen as the foundational factor. They include cruelty, selfishness, injustice, greed, and indifference to the suffering of others. They may result in harm to humans and animals, such as genocides and factory farming of livestock. Other flaws include intellectual flaws, like dogmatism and cognitive biases, as well as aesthetic flaws concerning ugliness and lack of sensitivity to beauty. Many debates in the academic literature discuss whether misanthropy is a valid viewpoint and what its implications are. Proponents of misanthropy usually point to human flaws and the harm they have caused as a sufficient reason for condemning humanity. Critics have responded to this line of thought by claiming that severe flaws concern only a few extreme cases, like mentally ill perpetrators, but not humanity at large. Another objection is based on the claim that humans also have virtues besides their flaws and that a balanced evaluation might be overall positive. A further criticism rejects misanthropy because of its association with hatred, which may lead to violence, and because it may make people friendless and unhappy. Defenders of misanthropy have responded by claiming that this applies only to some forms of misanthropy but not to misanthropy in general.

Flaminio Scala (27 September 1552 – 9 December 1624), commonly known by his stage name Flavio, was an Italian stage actor of commedia dell'arte, scenario writer, playwright, director, producer, manager, agent, and editor. Considered one of the most important figures in Renaissance theatre, Scala is remembered today as the author of the first published collection of commedia scenarios, Il Teatro delle Favole Rappresentative, short comic plays that served as inspiration to playwrights such as Lope de Vega, William Shakespeare, Ben Jonson, and Molière.

Amphitryon is a French language comedy in a prologue and 3 Acts by Molière which is based on the story of the Greek mythological character Amphitryon as told by Plautus in his play from ca. 190–185 B.C. The play was first performed at the Théâtre du Palais-Royal in Paris on 13 January 1668. A whiff of scandal surrounded the play, with some claiming that Molière was criticizing the amorous affairs of Louis XIV of France in the guise of Jupiter. It was performed again three days later at the Tuileries Garden in the presence of Louis XIV.

Amphitryon was an immediate success with the French aristocracy and the play was performed a total of 29 times by Easter 1668. The popularity of the work was such that one of the names of the characters became a part of the everyday French language. The word 'Sosie' in French now means look-alike, a reflection of the events in the play where the character Sosie (a part which was portrayed by Molière himself in the comedy's first production) is a doppelgänger of the God Mercury.