Modes (music) in the context of "Ionian mode"

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⭐ Core Definition: Modes (music)

In music theory, the term mode or modus is used in a number of distinct senses, depending on context.

Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and Gregorian modes borrow terminology from ancient Greece, the Greek tonoi do not otherwise resemble their medieval/modern counterparts.

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Modes (music) in the context of Apollonius Eidographus

Apollonius Eidographus (Ancient Greek: Ἀπολλώνιος Εἰδογράφος) was a writer referred to by the Scholiast on Pindar respecting a contest in which Hiero won the prize. Some writers have thought he was a poet, but from the Etymologicum Magnum, it is probable that he was some learned grammarian. He was head of the Library at Alexandria, succeeding Aristophanes of Byzantium and succeeded by Aristarchus of Samothrace. He was called "eidographus" ("the classifier") because he classified lyric poems based on their musical modes.

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