Mistletoe in the context of "Obligate parasite"

Parasitism is a close relationship between species, where one organism, the parasite, lives (at least some of the time) on or inside another organism, the host, causing it some harm, and is adapted structurally to this way of life. The entomologist E. O. Wilson characterised parasites' way of feeding as "predators that eat prey in units of less than one". Parasites include single-celled protozoans such as the agents of malaria, sleeping sickness, and amoebic dysentery; animals such as hookworms, lice, mosquitoes, and vampire bats; fungi such as honey fungus and the agents of ringworm; and plants such as mistletoe, dodder, and the broomrapes.

There are six major parasitic strategies of exploitation of animal hosts, namely parasitic castration, directly transmitted parasitism (by contact), trophically-transmitted parasitism (by being eaten), vector-transmitted parasitism, parasitoidism, and micropredation. One major axis of classification concerns invasiveness: an endoparasite lives inside the host's body; an ectoparasite lives outside, on the host's surface.

The whiplash or whiplash line is a motif of decorative art and design that was particularly popular in Art Nouveau. It is an asymmetrical, sinuous line, often in an ornamental S-curve, usually inspired by natural forms such as plants and flowers, which suggests dynamism and movement. It took its name from a woven fabric panel "Cyclamen", by the German artist Hermann Obrist (1895) which depicted the stems and roots of the cyclamen plant, which critics dubbed "Coup de Fouet" ('whiplash'). The panel was later reproduced by the textile workshop of the Darmstadt Artists Colony.

Curling whiplash lines were modelled after natural and vegetal forms, particularly the cyclamen, iris, orchid, thistle, mistletoe, holly, water lily, and from the stylized lines of the swan, peacock, dragonfly, and butterfly.