Modern Greek Enlightenment in the context of "Greek Macedonia"

Macedonia (/ˌmæsɪˈdoʊniə/ MASS-ih-DOH-nee-ə; Greek: Μακεδονία, romanized: Makedonía, pronounced [maceðoˈni.a] ) is a geographic and former administrative region of Greece, in the southern Balkans. Macedonia is the largest and second-most-populous geographic region in Greece, with a population of 2.36 million (as of 2020). Part of Northern Greece, it is highly mountainous, with major urban centres such as Thessaloniki and Kavala being concentrated on its southern coastline. Greek Macedonia encompasses entirely the southern part of the wider region of Macedonia, making up 51% of the total area of that region. Additionally, it widely constitutes Greece's borders with three countries: Albania to the northwest, North Macedonia to the north, and Bulgaria to the northeast.

Greek Macedonia incorporates most of the territories of Macedon, a Greek kingdom ruled by the Argeads, whose most celebrated members were Alexander the Great and his father Philip II. Before the expansion of Macedonia under Philip in the 4th century BC, the kingdom of the Macedonians covered an area corresponding roughly to the administrative regions of Western and Central Macedonia in modern Greece. The name Macedonia was later applied to a number of widely-differing administrative areas in the Roman and Byzantine empires. With the gradual conquest of south-eastern Europe by the Ottomans in the late 14th century, the name of Macedonia disappeared as an administrative designation for several centuries and was rarely displayed on maps. With the rise of nationalism in the Ottoman Empire, the name Macedonia was revived in the nineteenth century as a geographical term, and for educated Greeks it corresponded to the ancient historical land. The economic ascent of Thessaloniki and of the other urban centres of Macedonia coincided with the cultural and political renaissance of the Greeks. The leader and coordinator of the Greek Revolution in Macedonia was Emmanouel Pappas, today considered a Greek hero along with the unnamed Macedonians that fought with him.

Hermes o Logios, also known as Logios Ermis (Greek: Ἑρμῆς ὁ Λόγιος, "Hermes the Scholar") was a Greek periodical printed in Vienna, Austria, from 1811 to 1821. It is regarded as the most significant and longest running periodical of the period prior to the outbreak of the Greek War of Independence, containing contributions by key scholars and intellectuals. Hermes o Logios aimed at creating intellectual contacts between the Greek communities of the Ottoman Empire and the Diaspora in Western Europe, as well as the preparing national awakening of the Greek people.

The periodical started its circulation after a proposal by Adamantios Korais, a leading figure of the modern Greek Enlightenment, who had stressed the need of a printed medium, written in vernacular Greek. This initiative was supported by the Philological Society in Bucharest, an organization consisting of Greek intellectuals. Hermes o Logios reflected the style of other European periodicals of early 19th century and reviewed developments in arts and sciences, being an important channel for bringing contemporary intellectual movements to the attention of the Greeks that lived in the Ottoman Empire. It was closed down by the Austrian authorities when the Greek War of Independence broke out.

Panagiotis Doxaras (Greek: Παναγιώτης Δοξαράς; 1662–1729), also known as Panayiotis Doxaras, was an author and painter. He was a prolific member of the Heptanese school. He was influenced by early members of the movement namely: Elias Moskos, Theodoros Poulakis, Stephanos Tzangarolas, Spyridon Sperantzas and Victor. The Heptanese school evolved during the Baroque period and continued into the Late Baroque or Rococo. Doxaras's son Nikolaos Doxaras continued the artistic movement into the Neoclassical era. Both Panagiotis and his son Nikolaos refined the school. The school was heavily influenced by the Venetian style. The Heptanese school also influenced Italian painting. Other artists Doxaras influenced were Nikolaos Kantounis. Panagioti's teacher was the famous painter Leos Moskos. whom he studied with while he was in Venice. Doxaras painted notable portraits of Johann Matthias von der Schulenburg. He introduced Maniera Italiana to the Heptanese school, drastically changing the style from the Maniera Greca. He is considered the father of the Greek Rococo and the Modern Greek Enlightenment in art.

Spyridon Sperantzas (Greek: Σπυρίδων Σπεράντζας, 1733 – 1818) was a Greek painter. He flourished during the Greek Neoclassical era and the Modern Greek Enlightenment in art also known as Neo-Hellenikos Diafotismos. Because of the Fall of the Republic of Venice, Sperantzas brought the Heptanese School into the Greek Romantic period. By the 1800s the Ionian Islands were occupied by both French and English forces and for the first time since the fall of the Byzantine Empire, the local Greeks governed themselves. Sperantzas, Nikolaos Kantounis, and Nikolaos Koutouzis represent the transition in painting that defined Modern Greek art. Sperantzas was influenced by Nikolaos Kallergis, Nikolaos Doxaras, and Nikolaos Koutouzis. His son Michael Sperantzas was also a famous painter and his apprentice. Spyridon also painted frescos.

Nikolaos Doxaras (Greek: Νικόλαος Δοξαράς; 1706/10 – 2 March 1775). He was a Greek painter and teacher. His father was famous painter Panagiotis Doxaras. Panagiotis Doxaras was the father of the Greek Rococo and the Modern Greek Enlightenment in art. They are both prominent members of the Heptanese School. They refined Greek art bringing the Maniera Greca into the Maniera Italiana. Artists he influenced include: Nikolaos Kantounis, Nikolaos Koutouzis and Gerasimos Pitsamanos. His influence can be seen in some of Nikolaos Kantounis's paintings notably The Assumption. Nikolaos taught famous painter Nikolaos Koutouzis. Both Nikolaos Koutouzis and Doxaras artistic style refined the art of the Ionian Islands. Venetian painting influenced countless Greek artists who were living in the empire. From Michael Damaskinos to Theodore Poulakis. Twenty years after Nikolaos's death the style came to an end due to the Fall of the Republic of Venice. A new artistic style developed after the Greek Rococo which coincided with Neoclassicism in the rest of Europe called the middle Modern Greek Enlightenment in art also known as Neo-Hellenikos Diafotismos.

Nikolaos Kantounis or Kandounis (Greek: Νικόλαος Καντούνης; 1767–1834) was a Greek priest, painter and teacher who did not follow the traditional Maniera Greca. His teacher was the famous painter Nikolaos Koutouzis. He began to incorporate the Maniera Italiana into the Heptanese School. Kantounis, Panagiotis Doxaras, Nikolaos Doxaras and Koutouzis were all prolific members of that school. Kantounis was one of the most important painters in the Neoclassical Period in Greece. He was a representative of the middle to late Modern Greek Enlightenment in Greek art. Over 164 of his paintings have survived. He is known for painting many portraits. Some of his works resemble the style of Nikolaos Doxaras. He was also a member of the secret organization for Greek Independence called the Filiki Eteria.

Nikolaos Kallergis (Greek: Νικόλαος Καλλέργης; 1699–1747), also known as Kalergis. He was a Greek painter during the Greek Rococo and the Modern Greek Enlightenment in art also known as Neo-Hellenikos Diafotismos. His art also exhibited Venetian influence. Painters of the maniera greca began to refine their art. Philotheos Skoufos, Elias Moskos, and Theodore Poulakis were all active painters on the Ionian Islands prior to Kallergis. They set the stage for the transition to the Heptanese School. Panagiotis Doxaras is the forefather of the new painting style. He was the father of Greek Rococo and the Modern Greek Enlightenment in painting. Kallergis became an active member of the school. Kallergis also represents the Greek Rococo. His art began to exhibit qualities of Greek and Italian Neoclassicism. His style influenced countless painters. Examples include Nikolaos Kantounis, Nikolaos Koutouzis, Nikolaos Doxaras, Spiridione Roma, and Eustathios Karousos. His most famous work is Christ and Angel it is at the Zakynthos Museum.