Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s. Minimalism is often interpreted as a reaction to abstract expressionism and a bridge to postminimal art practices. Prominent artists associated with this movement include Sol LeWitt, Ad Reinhardt, Nassos Daphnis, Tony Smith, Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Larry Bell, Anne Truitt, Yves Klein and Frank Stella. Artists themselves have sometimes reacted against the label due to the negative implication of the work being simplistic.
- ⭐ Core Definition: Minimalist art
- Minimalist art in the context of Carl Andre
- Minimalist art in the context of Uffington White Horse
Minimalist art in the context of Carl Andre
Carl Andre (September 16, 1935 – January 24, 2024) was an American minimalist artist recognized for his ordered linear and grid format sculptures. His sculptures range from large public artworks (such as Stone Field Sculpture, 1977, in Hartford, Connecticut, and Lament for the Children, 1976, in Long Island City, New York), to large interior works exhibited on the floor (such as 144 Magnesium Square, 1969), to small intimate works (such as Satier: Zinc on Steel, 1989, and 7 Alnico Pole, 2011).
In 1985 his third wife, contemporary artist Ana Mendieta, fell from their 34th-floor apartment window and died. Neighbors heard an argument and Mendieta shouting "no" immediately before the fall. He was acquitted of a second-degree murder charge in a 1988 bench trial, causing uproar among feminists in the art world; supporters of Mendieta have protested at his subsequent exhibitions.
View the full Wikipedia page for Carl AndreMinimalist art in the context of Uffington White Horse
The Uffington White Horse is a prehistoric hill figure, 110 m (360 ft) long, formed from deep trenches filled with crushed white chalk. The figure is situated on the upper slopes of Whitehorse Hill in the English civil parish of Uffington in Oxfordshire, some 16 km (10 mi) east of Swindon, 8 km (5.0 mi) south of the town of Faringdon and a similar distance west of the town of Wantage; or 2.5 km (1.6 mi) south of Uffington. The hill forms a part of the scarp of the Berkshire Downs and overlooks the Vale of White Horse to the north. The best views of the figure are obtained from the air, or from directly across the Vale, particularly around the villages of Great Coxwell, Longcot, and Fernham.
The Uffington White Horse was created some time between 1380 and 550 BC, during the late Bronze Age or early Iron Age. The site is owned and managed by the National Trust and is a scheduled monument. The Guardian stated in 2003 that "for more than 3,000 years, the Uffington White Horse has been jealously guarded as a masterpiece of minimalist art." The Uffington Horse is by far the oldest of the white horse figures in Britain; the others inspired by it have an entirely different design.
View the full Wikipedia page for Uffington White Horse