Military camouflage in the context of "Stealth technology"

A military uniform is a standardised dress worn by members of the armed forces and paramilitaries of various nations.

Military dress and styles have gone through significant changes over the centuries, from colourful and elaborate, ornamented clothing until the 19th century, to utilitarian camouflage uniforms for field and battle purposes from World War I (1914–1918) on. Military uniforms in the form of standardised and distinctive dress, intended for identification and display, are typically a sign of organised military forces equipped by a central authority.

Camouflage is the use of any combination of materials, coloration, or illumination for concealment, either by making animals or objects hard to see, or by disguising them as something else. Examples include the leopard's spotted coat, the battledress of a modern soldier, and the leaf-mimic katydid's wings. A third approach, motion dazzle, confuses the observer with a conspicuous pattern, making the object visible but momentarily harder to locate. The majority of camouflage methods aim for crypsis, often through a general resemblance to the background, high contrast disruptive coloration, eliminating shadow, and countershading. In the open ocean, where there is no background, the principal methods of camouflage are transparency, silvering, and countershading, while the ability to produce light is among other things used for counter-illumination on the undersides of cephalopods such as squid. Some animals, such as chameleons and octopuses, are capable of actively changing their skin pattern and colours, whether for camouflage or for signalling. It is possible that some plants use camouflage to evade being eaten by herbivores.

Military camouflage was spurred by the increasing range and accuracy of firearms in the 19th century. In particular the replacement of the inaccurate musket with the rifle made personal concealment in battle a survival skill. In the 20th century, military camouflage developed rapidly, especially during the World War I. On land, artists such as André Mare designed camouflage schemes and observation posts disguised as trees. At sea, merchant ships and troop carriers were painted in dazzle patterns that were highly visible, but designed to confuse enemy submarines as to the target's speed, range, and heading. During and after World War II, a variety of camouflage schemes were used for aircraft and for ground vehicles in different theatres of war. The use of radar since the mid-20th century has largely made camouflage for fixed-wing military aircraft obsolete.

Countershading, or Thayer's law, is a method of camouflage in which an animal's coloration is darker on the top or upper side and lighter on the underside of the body. This pattern is found in many species of mammals, reptiles, birds, fish, and insects, both in predators and in prey.

When light falls from above on a uniformly coloured three-dimensional object such as a sphere, it makes the upper side appear lighter and the underside darker, grading from one to the other. This pattern of light and shade makes the object appear solid, and therefore easier to detect. The classical form of countershading, discovered in 1909 by the artist Abbott Handerson Thayer, works by counterbalancing the effects of self-shadowing, again typically with grading from dark to light. In theory this could be useful for military camouflage, but in practice it has rarely been applied, despite the best efforts of Thayer and, later, in the Second World War, of the zoologist Hugh Cott.

MultiCam is a camouflage pattern designed for use in a wide range of environments and conditions which was developed and is produced by American company Crye Precision. The pattern has found extensive adoption globally. Variants of it, some unlicensed, are in use with militaries worldwide, particularly with special forces/special operations forces units.

The pattern is also available for purchase for civilian usage. Derived from the original standard pattern, additional specified variants were developed and later introduced in late 2013, those are "Arid", "Tropic", "Alpine" and "Black".

Disruptive coloration (also known as disruptive camouflage or disruptive patterning) is a form of camouflage that works by breaking up the outlines of an animal, soldier or military hardware with a strongly contrasting pattern. It is often combined with other methods of crypsis including background colour matching and countershading; special cases are coincident disruptive coloration and the disruptive eye mask seen in some fishes, amphibians, and reptiles. It appears paradoxical as a way of not being seen, since disruption of outlines depends on high contrast, so the patches of colour are themselves conspicuous.

The importance of high-contrast patterns for successful disruption was predicted in general terms by the artist Abbott Thayer in 1909 and explicitly by the zoologist Hugh Cott in 1940. Later experimental research has started to confirm these predictions. Disruptive patterns work best when all their components match the background.

A combat uniform, also called a field uniform, battledress, or military fatigues, is a casual uniform used by military, police, fire, and other public uniformed services for everyday fieldwork and duty, as opposed to dress uniforms for formal functions and parades. It generally consists of a jacket, trousers, and shirt or T-shirt, all cut to be looser and more comfortable than more formal uniforms. Combat uniform designs vary by regiment or service branch (e.g. army, navy, air force, marines, etc.). Uniform fabrics often come in camouflage, disruptive patterns, or otherwise olive drab, brown, or khaki monochrome, to approximate the background and make the soldier less conspicuous in the field. In Western dress codes, field uniforms are considered equivalent to civilian casual wear, less formal than service dress uniforms, which are generally for office or staff use, as well as mess dress uniforms and full dress uniforms.

Combat uniforms have existed to some degree in most organized militaries throughout history, with the intent of providing both protection and easy identification. The British Indian Army's Corps of Guides were the first to use drab combat uniforms starting in 1848, when they wore light-brown clothing called "khaki" by Indian troops. The Second Boer War and World War I ended the pre-modern practice of issuing brightly-colored combat uniforms in favor of green, brown, khaki, and grey uniforms that better suited the varied environments of modern warfare. The first proper military camouflage pattern was Italy's telo mimetico, originally designed for half-shelters in 1929. Germany's Wehrmacht began issuing camouflage uniforms to paratroopers during World War II, and by the end of the war, both the Allies and Axis made use of camouflage uniforms for select units, usually special forces. The Cold War and post–Cold War era saw the gradual shift from monochromatic olive and khaki combat uniforms to those using camouflage patterns.

Charles André Mare (1885–1932), or André-Charles Mare, was a French painter and textile designer, and co-founder of the Company of French Art (la Compagnie des Arts Français) in 1919. He was a designer of colorful textiles, and was one of the founders of the Art Deco movement.

As a soldier in the French Army in World War I, Mare led the development of military camouflage, painting artillery using Cubism techniques to deceive the eye. His ink and watercolour painting Le canon de 280 camouflé (The Camouflaged 280 Gun) shows the close interplay of abstract art and military application at that time. He authored the book Cubisme et Camouflage, 1914–1918.

Aircraft camouflage is the use of camouflage on military aircraft to make them more difficult to see, whether on the ground or in the air. Given the possible backgrounds and lighting conditions, no single scheme works in every situation. A common approach has been a form of countershading, the aircraft being painted in a disruptive pattern of ground colours such as green and brown above, sky colours below. For faster and higher-flying aircraft, sky colours have sometimes been used all over, while helicopters and fixed-wing aircraft used close to the ground are often painted entirely in ground camouflage. Aircraft flying by night have often been painted black, but this actually made them appear darker than the night sky, leading to paler night camouflage schemes. There are trade-offs between camouflage and aircraft recognition markings, and between camouflage and weight. Accordingly, visible light camouflage has been dispensed with when air superiority was not threatened or when no significant aerial opposition was anticipated.

Aircraft were first camouflaged during World War I; aircraft camouflage has been widely employed since then. In World War II, disruptive camouflage became widespread for fighters and bombers, sometimes combined with countershading. Some air forces such as the German Luftwaffe varied their paint schemes to suit differing flight conditions such as the skyglow over German cities, or the sands of the Mediterranean front.

Solomon Joseph Solomon RA RBA (16 September 1860 – 27 July 1927) was a British painter, a founding member of the New English Art Club and member of the Royal Academy.

Solomon's family was Jewish, and his sister, Lily Delissa Joseph (née Solomon), was also a painter. He made an important contribution to the development of camouflage in the First World War, working in particular on tree observation posts and arguing tirelessly for camouflage netting.