Milan Cathedral in the context of "Sacred architecture"

Piazza del Duomo ("Cathedral Square") is the main piazza (city square) of Milan, Italy. It is named after, and dominated by, Milan Cathedral (the Duomo). The piazza marks the center of the city, both in a geographic sense and because of its importance from an artistic, cultural, and social point of view. Rectangular in shape, with an overall area of 17,000 m (about 183,000 sq ft), the piazza includes some of the most important buildings of Milan (and Italy in general), as well some of the most prestigious commercial activities, and it is by far the foremost tourist attraction of the city.

While the piazza was originally created in the 14th century and has been gradually developing ever since (along with the Duomo, which took about six centuries to complete), its overall plan, in its current form, is largely due to architect Giuseppe Mengoni, and dates to the second half of the 19th century. The monumental buildings that mark its sides, with the main exception of the Duomo itself and the Royal Palace, were introduced by Mengoni's design; the most notable of Mengoni's addition to the piazza is the Galleria Vittorio Emanuele II arcade.

The Ambrosian Rite (Italian: Rito Ambrosiano) is a Latin liturgical rite of the Catholic Church and the Eastern Orthodox Church (specifically The Divine Liturgy of Saint Ambrose). The rite is named after Saint Ambrose, a bishop of Milan in the fourth century. It is used by around five million Catholics in the greater part of the Archdiocese of Milan (excluding Monza, Treviglio and Trezzo sull'Adda), in some parishes of the Diocese of Como, Bergamo, Novara, Lodi, in the Diocese of Lugano, Canton of Ticino, Switzerland, less prominently in some Western Rite orthodox parishes and on special occasions of other jurisdictions.

The Ambrosian Rite has risked suppression at various points in its history. It was reformed after the Second Vatican Council (Pope Paul VI belonged to the Ambrosian Rite, having previously been Archbishop of Milan). In the 20th century, it also gained prominence and prestige from the attentions of two other scholarly Archbishops of Milan: Achille Ratti, later Pope Pius XI, and the Blessed Ildefonso Schuster, both of whom were involved in studies and publications on the rite.

Sacral architecture (also known as sacred architecture or religious architecture) is a religious architectural practice concerned with the design and construction of places of worship or sacred or intentional space, such as churches, mosques, stupas, synagogues, and temples. Many cultures devoted considerable resources to their sacred architecture and places of worship. Religious and sacred spaces are amongst the most impressive and permanent monolithic buildings created by humanity. Conversely, sacred architecture as a locale for meta-intimacy may also be non-monolithic, ephemeral and intensely private, personal and non-public.

Sacred, religious and holy structures often evolved over centuries and were the largest buildings in the world, prior to the modern skyscraper. While the various styles employed in sacred architecture sometimes reflected trends in other structures, these styles also remained unique from the contemporary architecture used in other structures. With the rise of Christianity and Islam, religious buildings increasingly became centres of worship, prayer and meditation.

Johann Christian Bach (5 September 1735 – 1 January 1782) was a German composer of the Classical era, the youngest son of Johann Sebastian Bach. He received his early musical training from his father, and later from his half-brother, Carl Philipp Emanuel Bach in Berlin. After his time in Berlin he made his way to Italy to study with famous Padre Martini in Bologna. While in Italy, J.C. Bach was appointed as an organist at the Milan Cathedral. In 1762 he became a composer to the King’s Theatre in London where he wrote a number of successful Italian operas and became known as "The English Bach". He is responsible for the development of the sinfonia concertante form. He became one of the most influential figures of the classical period, influencing compositional styles of prolific composers like Joseph Haydn and Wolfgang Amadeus Mozart.

The Royal Palace of Milan (Italian: Palazzo Reale di Milano) was the seat of government in the Italian city of Milan for many centuries. Today, it serves as a cultural centre and it is home to international art exhibitions.

It spans through an area of 7,000 square meters and it regularly hosts modern and contemporary art works and famous collections in cooperation with notable museums and cultural institutions from across the world. More than 1,500 masterpieces are on display annually.

Monte Viso or Monviso (Italian: [moɱˈviːzo]; Occitan: Vísol [ˈvizul]; Piedmontese: Brich ëd Viso [ˈbrik əd ˈvizʊ] or simply Viso) is the highest mountain of the Cottian Alps, located in Piedmont, Italy, close to the French border. Monte Viso is well known for its pyramid-like shape. Because it is higher than all its neighbouring peaks by about 500 m, it can be seen from a great distance, including from the Piedmontese plateau, the Langhe, the Theodulpass in the Zermatt ski area, the Col du Galibier and the summits of the Mont Blanc massif. On a very clear day, it can be seen from the spires of Milan Cathedral.

It has been suggested that Monte Viso could be one of the mountains which inspired the Paramount logo, even though the company has denied the claims. In Italy it is also known as il Re di Pietra ("the Stone King") because of its prominence within the western Italian Alps. It was declared a cross-border UNESCO biosphere reserve in 2013.The longest river of Italy, River Po, is born at the mountain's foot.