Middle Ages

The writing systems used in ancient Egypt were deciphered in the early nineteenth century through the work of several European scholars, especially Jean-François Champollion and Thomas Young. Ancient Egyptian forms of writing, which included the hieroglyphic, hieratic and demotic scripts, ceased to be understood in the fourth and fifth centuries AD, as the Coptic alphabet was increasingly used in their place. Later generations' knowledge of the older scripts was based on the work of Greek and Roman authors whose understanding was faulty. It was thus widely believed that Egyptian scripts were exclusively ideographic, representing ideas rather than sounds. Some attempts at decipherment by Islamic and European scholars in the Middle Ages and early modern times acknowledged the script might have a phonetic component, but perception of hieroglyphs as purely ideographic hampered efforts to understand them as late as the eighteenth century.

The Rosetta Stone, discovered in 1799 by members of Napoleon Bonaparte's campaign in Egypt, bore a parallel text in hieroglyphic, demotic and Greek. It was hoped that the Egyptian text could be deciphered through its Greek translation, especially in combination with the evidence from the Coptic language, the last stage of the Egyptian language. Doing so proved difficult, despite halting progress made by Antoine-Isaac Silvestre de Sacy and Johan David Åkerblad. Thomas Young, building on their work, observed that demotic characters were derived from hieroglyphs and identified several of the phonetic signs in demotic. He also identified the meaning of many hieroglyphs, including phonetic glyphs in a cartouche containing the name of an Egyptian king of foreign origin, Ptolemy V. He was convinced, however, that phonetic hieroglyphs were used only in writing non-Egyptian words. In the early 1820s Champollion compared Ptolemy's cartouche with others and realised the hieroglyphic script was a mixture of phonetic and ideographic elements. His claims were initially met with scepticism and with accusations that he had taken ideas from Young without giving credit, but they gradually gained acceptance. Champollion went on to roughly identify the meanings of most phonetic hieroglyphs and establish much of the grammar and vocabulary of ancient Egyptian. Young, meanwhile, largely deciphered demotic using the Rosetta Stone in combination with other Greek and demotic parallel texts.

Paphos Archaeological Park (also Kato Pafos Archaeological Park) contains the major part of the important ancient Greek and Roman city and is located in Paphos, southwest Cyprus. The park, still under excavation, is within the Nea Pafos ("New Paphos") section of the coastal city.

Its sites and monuments date from prehistoric times through the Middle Ages. Among the most significant remains discovered thus far are four large and elaborate Roman villas: the House of Dionysos, the House of Aion, the House of Theseus and the House of Orpheus, all with superb preserved mosaic floors, especially an Orpheus mosaic. In addition, excavations have uncovered an agora, asklipieion, basilica, odeion, and Hellenistic-Roman theatre, and a necropolis known as the "Tombs of the Kings".

The relationship between Achilles and Patroclus is a key element of the stories associated with the Trojan War. In the Iliad, Homer describes a deep, meaningful relationship between Achilles and Patroclus, where Achilles is tender toward Patroclus, but callous and arrogant toward others. Its exact nature—whether homosexual, a non-sexual deep friendship, or something else entirely—has been a subject of dispute in both the Classical period and modern times.

Homer, in the original epic, never explicitly casts the two as lovers, but they were frequently interpreted and depicted as lovers in the later archaic and classical periods of Greek literature, particularly in the works of Aeschylus, Aeschines and Plato. Xenophon's Symposium established a key counterargument, asserting the relationship was not sexual, but instead a platonic perfect friendship. Ancient writers referenced both sides, and additionally debated whether and how the relationship fit into the scheme of pederasty in ancient Greece. Medieval scholars largely characterized the relationship as a platonic friendship, sometimes even suppressing certain aspects of Achilles' actions that may be interpreted as homoerotic. Since the 1800s, contemporary critics have returned to the debate of the Iliad's portrayal of the relationship. Some classicists and queer studies scholars argue that it was homosexual, homoerotic, or latently homosexual, with the Iliad describing these elements implicitly. Some historians and classicists disagree, stating that there is no textual evidence for a sexual relationship, and that repressed homosexuality here is unfalsifiable.

Single combat is a duel between two single combatants which takes place in the context of a battle between two armies.

Instances of single combat are known from Classical Antiquity and the Middle Ages. The champions were often combatants who represented larger, spectator groups. Such representative contests and stories thereof are known worldwide.

Cornish (Kernewek or Kernowek [kəɾˈnuːək]) is a Celtic language of the Brittonic subgroup that is native to the Cornish people and their homeland, Cornwall. Along with Welsh and Breton, Cornish descends from Common Brittonic, a language once spoken widely across Great Britain. For much of the medieval period Cornish was the main language of Cornwall, until it was gradually pushed westwards by the spread of English. Cornish remained a common community language in parts of Cornwall until the mid-18th century, and there is some evidence for traditional speakers persisting into the 19th century.

Cornish became extinct as a living community language in Cornwall by the end of the 18th century; knowledge of Cornish persisted within some families and individuals. A revival started in the early 20th century, and in 2010 UNESCO reclassified the language as critically endangered, stating that its former classification of the language as extinct was no longer accurate. The language has a growing number of second-language speakers, and a very small number of families now raise children to speak revived Cornish as a first language.

Secular music and sacred music were the two main genres of Western music during the Middle Ages and Renaissance era. The oldest written examples of secular music are songs with Latin lyrics. However, many secular songs were sung in the vernacular language, unlike the sacred songs that followed the Latin language of the Church, which is not to say there are not secular songs in Latin or not secular songs that are religious in theme.

In the Middle Ages, and even through the Renaissance and the Age of Enlightenment, any music that was not commissioned by the Catholic Church (or, later, a Protestant church) for liturgical use was and still is considered "secular music." Symphony No. 9 (Beethoven) (commonly called "Ode to Joy") and Messiah (Handel) are both examples of secular music because, despite being wholly and innately religious in theme, they were not commissioned by any church or for use in any religion's liturgy. Symphony No. 9 was commissioned by the Philharmonic Society of London for theater performance, not by the Catholic Church, the Church of England, or any other church and not for liturgical use. Likewise, "Messiah (Handel) was commissioned by the Duke of Devonshire to be performed in Dublin theaters for a series of charity concerts, not by the Catholic Church or any other church and not for liturgical use. So, while "secular" today is often taken to mean non-religious in any way, when it refers to music from the Middle Ages through as late as the 19th century, music with a religious theme may be and very often is "secular music" for the simple fact that it was not written on behalf of any commissioning church or for liturgical use, meaning "secular" does not indicate that it is thematically non-religious but that it is non-religious vis-à-vis a religious organization (i.e., the Church) did not commission its creation, sacred music being definitively music commissioned by the Church for liturgical use, for use by the Church in the Church's established rituals, the Church's ceremonies, and the Church's forms of worship, and any and all other music (i.e., music not fitting that strict definition) being secular music, no matter how religiously themed or gloriously worshipful of God it may be. A caveat: while these definitions of sacred music and secular music still hold true today when referring to such music from the past, they tend not to still hold true today for more modern music as any modern song that is themed in religious worship, regardless of if any church commissioned it or uses it in its liturgy, is not considered secular music, like Christian rock is not considered secular music today, but if it were somehow packed up and sent back to the 1500s, it would be considered secular music today because it would have been considered secular music back in the 1500s because of not being commission by the Church for liturgical use but by the artists themselves, or their labels, for their own personal or professional use and so would have come down through history to today as secular music.

Trajan's Column (Italian: Colonna Traiana, Latin: Columna Traiani) is a Roman triumphal column in Rome, Italy, that commemorates Roman emperor Trajan's victory in the Dacian Wars. It was probably constructed under the supervision of the architect Apollodorus of Damascus at the order of the Roman Senate. It is located in Trajan's Forum, north of the Roman Forum. Completed in AD 113, the freestanding column is most famous for its spiral bas relief, which depicts the wars between the Romans and Dacians (101–102 and 105–106). Its design has inspired numerous victory columns, both ancient and modern.

The structure is about 30 metres (98 feet) in height, 35 metres (115 feet) including its large pedestal. The shaft is made from a series of 20 colossal Carrara marble drums, each weighing about 32 tons, with a diameter of 3.7 metres (12.1 feet). The 190-metre (620-foot) frieze winds around the shaft 23 times. Inside the shaft, a spiral staircase of 185 steps provides access to a viewing deck at the top. The capital block of Trajan's Column weighs 53.3 tons, and had to be lifted to a height of about 34 metres (112 feet). Ancient coins indicate preliminary plans to top the column with a statue of a bird, probably an eagle. After construction, a statue of Trajan was put in place; this disappeared in the Middle Ages. On December 4, 1587, the top was crowned with a bronze figure of Saint Peter the Apostle by Pope Sixtus V, which remains to this day.

A goblin is a small, grotesque, monstrous humanoid creature that appears in the folklore of multiple European cultures. First attested in stories from the Middle Ages, they are ascribed conflicting abilities, temperaments, and appearances depending on the story and country of origin, ranging from mischievous household spirits to malicious, bestial thieves. They often have magical abilities similar to a fairy or demon, such as the ability to shapeshift.

Similar creatures include brownies, dwarves, duendes, gnomes, imps, leprechauns, and kobolds, but it is also commonly used as a blanket term for all small, fay creatures. The term is sometimes expanded to include goblin-like creatures of other cultures, such as the pukwudgie, dokkaebi, or ifrit.

The unicorn is a legendary creature that has been described since antiquity as a beast with a single large, pointed, spiraling horn projecting from its forehead.

In European literature and art, the unicorn has for the last thousand years or so been depicted as a white horse- or goat-like animal with a long straight horn with spiraling grooves, cloven hooves, and sometimes a goat's beard. In the Middle Ages and Renaissance, it was commonly described as an extremely wild woodland creature, a symbol of purity and grace, which could be captured only by a virgin. In encyclopedias, its horn was described as having the power to render poisoned water potable and to heal sickness. In medieval and Renaissance times, the tusk of the narwhal was sometimes sold as a unicorn horn.