Michael Jackson in the context of "Billboard Hot 100"

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⭐ Core Definition: Michael Jackson

Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American singer, songwriter, dancer, and philanthropist. Dubbed the "King of Pop", he is widely regarded as one of the most culturally significant figures of the 20th century. Over a four-decade career, his musical achievements broke American racial barriers and made him a dominant figure worldwide. Through his songs, stages, and fashion, he proliferated visual performance for artists in popular music, popularizing street dance moves such as the moonwalk, the robot, and the anti-gravity lean. Jackson is often deemed the greatest entertainer of all time.

The eighth child of the Jackson family, Michael made his public debut at age six as the lead singer of the Jackson 5, one of Motown's most successful acts. His breakthrough as a solo artist came with the highly acclaimed album Off the Wall (1979). Jackson achieved unprecedented global success with Thriller (1982), the best-selling album in history. Its short film-style music videos for "Thriller", "Beat It", and "Billie Jean" redefined the medium as an art form. Jackson followed it with Bad (1987), the first album to produce five US Billboard Hot 100 number-one singles: "I Just Can't Stop Loving You", "Bad", "The Way You Make Me Feel", "Man in the Mirror", and "Dirty Diana". In the 1990s, he released the albums Dangerous (1991) and HIStory (1995). His final album, Invincible (2001), became a 21st-century bestseller.

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In this Dossier

Michael Jackson in the context of Impersonation

An impersonator is someone who imitates or copies the behavior or actions of another. There are many reasons for impersonating someone:

  • Living history: After close study of some historical figure, a performer may dress and speak "as" that person for an audience. Such historical interpretation may be a scripted dramatic performance like Mark Twain Tonight! or an unscripted interaction while staying in character.
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Michael Jackson in the context of Michael Jackson impersonator

Impersonators of American entertainer Michael Jackson work all over the world as entertainers, and such tribute acts remain in great demand due to the enduring popularity of Jackson.

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Michael Jackson in the context of Drag king

Drag kings have historically been mostly female performance artists who dress in masculine drag and personify male gender stereotypes as part of an individual or group routine. As documented in the 2003 Journal of Homosexuality, in more recent years the world of drag kings has broadened to include performers of all gender expressions. A typical drag show may incorporate dancing, acting, stand-up comedy and singing, either live or lip-synching to pre-recorded tracks. Drag kings often perform as exaggeratedly macho male characters, portray characters such as construction workers and rappers, or impersonate male celebrities like Elvis Presley, Michael Jackson and Tim McGraw. Drag kings may also perform as personas that do not clearly align with the gender binary. Drag personas that combine both stereotypically masculine and feminine traits are common in modern drag king shows.

In the late 1800s and early 1900s, several drag kings became British music hall stars and British pantomime has preserved the tradition of women performing in male roles. Starting in the mid-1990s, drag kings began to gain some of the fame and attention that drag queens have known.

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Michael Jackson in the context of List of best-selling albums

This is a list of the world's best-selling albums of recorded music in physical mediums, such as vinyl, audio cassettes or compact discs. To appear on the list, the figure must have been published by a reliable source and the album must have sold at least 20 million copies and certified at least 10 million units (the equivalent of a diamond certification by the RIAA). This list can contain any types of album, including studio albums, extended plays, greatest hits, compilations, various artists, soundtracks and remixes. The figures given do not take into account the resale of used albums. Certified copies are sourced either from available online databases of local music industry associations or a country with an established certifying authority (see List of music recording certifications).

As a result of the methodology that the American and Canadian certification-awarding bodies (the RIAA and Music Canada respectively) use, each disc in a multi-disc set is counted as one unit toward certification, leading to many double albums on the list—such as Pink Floyd's The Wall and the Beatles' The Beatles (White Album) —being certified with a number double the number of copies sold there. Such albums have the certifications for the number of copies (not discs) shipped indicated. Conversely, the American certification level for double albums that fit onto one compact disc, such as the Saturday Night Fever soundtrack reflect the actual number of copies sold. In 2016, RIAA included streaming in addition to track sales and album sales based on the concept of album-equivalent unit for certification purposes, and certification therefore no longer reflects shipment alone. For example, in the update of the certification for Their Greatest Hits (1971–1975) by the Eagles in August 2018, the album was certified 38× Platinum (increasing from the previous 29× Platinum certification in 2006) based on the new criteria, making it then the album with the highest certification in the United States.

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Michael Jackson in the context of La Isla Bonita

"La Isla Bonita" (Spanish for "The Beautiful Island") is a song by American singer Madonna from her third studio album, True Blue (1986). Initially composed as an instrumental demo by Patrick Leonard and Bruce Gaitsch for Michael Jackson, it was presented to him but ultimately rejected. The track was later developed by Madonna, who added lyrics and co-produced it with Leonard. Marking her first foray into Latin pop, the song features flamenco guitar, Latin percussion, maracas, and several lines sung in Spanish. The lyrics reference an island called San Pedro, whose location remains ambiguous; Madonna described the song as a tribute to Latin Americans.

Released on February 25, 1987, as the fifth and final single from True Blue, "La Isla Bonita" received positive reviews from music critics, who praised its melody, production, and romantic tone. It became a commercial success, reaching number four on the Billboard Hot 100 and topping the Adult Contemporary chart in the United States. Internationally, it reached number one in the United Kingdom, Canada, France, West Germany, and Austria. The track has since appeared on several Madonna compilations, including The Immaculate Collection (1990) and Celebration (2009), and has been cited as an influence on the work of later artists.

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Michael Jackson in the context of Robot (dance)

The robot, also called mannequin or dancing machine, is a street dance style—often confused with popping—that suggests the stilted movements of a dancing robot or mannequin. Roboting gained fame in the 1970s after Michael Jackson used the dance when he performed "Dancing Machine" with his brothers.

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Michael Jackson in the context of Forbes' list of the world's highest-paid dead celebrities

This is a list of the world's highest-paid dead celebrities as ranked by Forbes magazine since October 2001.

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Michael Jackson in the context of Jackson 5

The Jackson 5, later known as the Jacksons, are an American pop band composed of members of the Jackson family. The group was formed in Gary, Indiana, in 1964, and originally consisted of brothers Jackie, Tito, Jermaine, Marlon, and Michael. They were managed by their father Joe Jackson. The group were among the first African American performers to attain a following across multiple genres.

The Jackson 5 first performed in talent shows and clubs on the Chitlin' Circuit and eventually signed with Steeltown Records in 1967, under which their first two singles were released. In 1968, they left Steeltown and signed with Motown, where they were the first group to debut with four consecutive number-one hits on the Billboard Hot 100 chart with the songs "I Want You Back" (1969), "ABC", "The Love You Save", and "I'll Be There" (all 1970). They achieved seventeen Top 40 singles on the chart in five years, including six number-one Billboard R&B hits. The group left Motown for Epic Records in early 1976, with the exception of Jermaine, who was replaced by youngest brother Randy. Changing their name to the Jacksons upon signing with Epic, they released four studio albums and one live album between 1976 and 1981, including the successful albums Destiny (1978) and Triumph (1980) and singles "Enjoy Yourself" (1976), "Shake Your Body (Down to the Ground)" (1978), "This Place Hotel" (1980), and "Can You Feel It" (1981).

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Michael Jackson in the context of Brit Awards

The BRIT Awards (often simply called the BRITs) are the British Phonographic Industry's annual popular music awards. The name was originally a shortened form of "British", "Britain", or "Britannia" (in the early days the awards were sponsored by Britannia Music Club), but subsequently became a backronym for British Record Industry Trusts Show. The awards were first held in 1977 and originated as an annual event in 1982 under the auspices of the British record industry's trade association, the BPI. In 1989, they were renamed The BRIT Awards. Mastercard has been the long-term sponsor of the event. In addition, an equivalent awards ceremony for classical music, called the Classic BRIT Awards, was held annually between 2000 and 2013, before being revived in 2018 but has not been held since.

The highest profile music awards ceremony in the UK, the BRIT Awards have featured some of the most notable events in British popular culture, such as the final public appearance of Freddie Mercury, the Jarvis Cocker protest against Michael Jackson, the height of a high-profile feud between Oasis and fellow Britpop band Blur, the Union Jack dress worn by Geri Halliwell of the Spice Girls, and a Chumbawamba member throwing a bucket of iced water over then-Deputy Prime Minister John Prescott. These moments took place in the 1990s when the ceremony had a reputation for being "a little shambolic, unpredictable and, at times, anarchic," since then it has "evolved into a more polished, sanitised affair".

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