Ionia in the context of "Ionian Revolt"

Classical Greece was a period of around 200 years (the 5th and 4th centuries BC) in Ancient Greece, marked by much of the eastern Aegean and northern regions of Greek culture (such as Ionia and Macedonia) gaining increased autonomy from the Persian Empire; the peak flourishing of democratic Athens; the First and Second Peloponnesian Wars; the Spartan and then Theban hegemonies; and the expansion of Macedonia under Philip II. Much of the early defining mathematics, science, artistic thought (architecture, sculpture), theatre, literature, philosophy, and politics of Western civilization derives from this period of Greek history, which had a powerful influence on the later Roman Empire. Part of the broader era of classical antiquity, the classical Greek era ended after Philip II's unification of most of the Greek world against the common enemy of the Persian Empire, which was conquered within 13 years during the wars of Alexander the Great, Philip's son.

In the context of the art, architecture, and culture of ancient Greece, the Classical period corresponds to most of the 5th and 4th centuries BC (the most common dates being the fall of the last Athenian tyrant in 510 BC to the death of Alexander the Great in 323 BC). The Classical period in this sense follows the Greek Dark Ages and Archaic period and is in turn succeeded by the Hellenistic period.

The Delian League was a confederacy of Greek city-states, numbering between 150 and 330, founded in 478 BC under the leadership (hegemony) of Athens, whose purpose was to continue fighting the Persian Empire after the Greek victory in the Battle of Plataea at the end of the Second Persian invasion of Greece. The League functioned as a dual—offensive and defensive—alliance (symmachia) of autonomous states, similar to its rival association, the Peloponnesian League. The League's modern name derives from its official meeting place, the island of Delos, where congresses were held within the sanctuary of the Temple of Apollo; contemporary authors referred to the organization simply as "the Athenians and their Allies".

While Sparta excelled as Greece's greatest power on land, Athens turned to the seas, becoming the dominant naval power of the Greek world. Following Sparta's withdrawal from the conflict with Persia, Athens took the lead of the Hellenic alliance accompanied by several states around the Aegean and the Anatolian coast. The Delian League was formed as an anti-Persian defensive association of equal city-states seeking protection under Athens, as the latter wished to extend its support towards the Ionian Greek colonies of Anatolia. The alliance held an assembly of representatives in order to shape its policy, while members swore an oath of loyalty to the coalition. By the mid-fifth century BC, it had developed into a naval imperial power, conventionally called the Athenian Empire, where Athens established complete dominion and the allies became increasingly less autonomous. The League successfully accomplished its principal strategic goal by decisively expelling the remaining Persian forces from the Aegean. As a result, Persia would cease to pose a major threat to Greece for the following fifty years.

The Greco-Persian Wars (also often called the Persian Wars) were a series of conflicts between the Achaemenid Empire and Greek city-states that started in 499 BC and lasted until 449 BC. The collision between the fractious political world of the Greeks and the enormous empire of the Persians began when Cyrus the Great conquered the Greek-inhabited region of Ionia in 547 BC. Struggling to control the independent-minded cities of Ionia, the Persians appointed tyrants to rule each of them. This would prove to be the source of much trouble for the Greeks and Persians alike.

In 499 BC, the tyrant of Miletus, Aristagoras, embarked on an expedition to conquer the island of Naxos, with Persian support; however, the expedition was a debacle and, preempting his dismissal, Aristagoras incited all of Hellenic Asia Minor into rebellion against the Persians. This was the beginning of the Ionian Revolt, which would last until 493 BC, progressively drawing more regions of Asia Minor into the conflict. Aristagoras secured military support from Athens and Eretria, and in 498 BC these forces helped to capture and burn the Persian regional capital of Sardis. The Persian king Darius the Great vowed to have revenge on Athens and Eretria for this act. The revolt continued, with the two sides effectively stalemated throughout 497–495 BC. In 494 BC, the Persians regrouped and attacked the epicenter of the revolt in Miletus. At the Battle of Lade, the Ionians suffered a decisive defeat, and the rebellion collapsed, with the final embers being stamped out the following year.

The Isthmus of Corinth (Greek: Ισθμός της Κορίνθου) is the narrow land bridge which connects the Peloponnese peninsula with the rest of the mainland of Greece, near the city of Corinth. The 6.3 km (3.9 mi) wide Isthmus was known in the ancient world as the landmark separating the Peloponnese from mainland Greece. In the first century AD the geographer Strabo noted a stele on the Isthmus of Corinth, which bore two inscriptions. One towards the East, i.e. towards Megara, reading: "Here is not Peloponnesus, but Ionia" (τάδ᾽ οὐχὶ Πελοπόννησος, ἀλλ᾽ Ἰωνία) and the one towards the West, i.e. towards the Peloponnese: "Here is Peloponnesus, not Ionia" (τάδ᾽ ἐστὶ Πελοπόννησος, οὐκ Ἰωνία); Plutarch ascribed the erection of the stele to the Attic hero Theseus, on his way to Athens.

To the west of the Isthmus is the Gulf of Corinth, and to the east the Saronic Gulf. Since 1893 the Corinth Canal has run through the isthmus, effectively making the Peloponnese an island. Today, two road bridges, two railway bridges and two submersible bridges at both ends of the canal connect the mainland side of the isthmus with the Peloponnese side. Also a military emergency bridge is located at the west end of the canal.

The Greek alphabet has been used to write the Greek language since the late 9th or early 8th century BC. It was derived from the earlier Phoenician alphabet, and is the earliest known alphabetic script to systematically write vowels as well as consonants. In Archaic and early Classical times, the Greek alphabet existed in many local variants, but, by the end of the 4th century BC, the Ionic-based Euclidean alphabet, with 24 letters, ordered from alpha to omega, had become standard throughout the Greek-speaking world and is the version that is still used for Greek writing today.

The uppercase and lowercase forms of the 24 letters are:

Ionic or Ionian Greek (Ancient Greek: Ἰωνική, romanized: Iōnikḗ) was a subdialect of the Eastern or Attic–Ionic dialect group of Ancient Greek. The Ionic group traditionally comprises three dialectal varieties that were spoken in Euboea (West Ionic), the northern Cyclades (Central Ionic), and from c. 1000 BC onward in Asiatic Ionia (East Ionic), where Ionian colonists from Athens founded their cities. Ionic was the base of several literary language forms of the Archaic and Classical periods, both in poetry and prose. The works of Homer and Hesiod are among the most popular poetic works that were written in a literary form of the Ionic dialect, known as Epic or Homeric Greek. The oldest Greek prose, including that of Heraclitus, Herodotus, Democritus, and Hippocrates, was also written in Ionic. By the end of the 5th century BC, Ionic was supplanted by Attic, which had become the dominant dialect of the Greek world.

A rhapsode (Greek: ῥαψῳδός, "rhapsōidos") or, in modern usage, rhapsodist, refers to a classical Greek professional performer of epic poetry in the fifth and fourth centuries BC (and perhaps earlier). Rhapsodes notably performed the epics of Homer (Iliad and Odyssey) but also the wisdom and catalogue poetry of Hesiod and the satires of Archilochus and others. Plato's dialogue Ion, in which Socrates confronts a star player rhapsode, remains the most coherent source of information on these artists. Often, rhapsodes are depicted in Greek art, wearing their signature cloak and carrying a staff. This equipment is also characteristic of travellers in general, implying that rhapsodes were itinerant performers, moving from town to town. Rhapsodes originated in Ionia, which has been sometimes regarded as Homer's birthplace, and were also known as Homeridai, disciples of Homer, or "singers of stitched lays."