Children's literature in the context of "Shapeshifting"

⭐ In the context of shapeshifting, ancient literary works demonstrate its presence in which of the following traditions?

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⭐ Core Definition: Children's literature

Children's literature or juvenile literature includes stories, books, magazines, and poems that are created for children. In addition to conventional literary genres, modern children's literature is classified by the intended age of the reader, ranging from picture books for the very young to young adult fiction for those nearing maturity.

Children's literature can be traced to traditional stories like fairy tales, which have only been identified as children's literature since the eighteenth century, and songs, part of a wider oral tradition, which adults shared with children before publishing existed. The development of early children's literature, before printing was invented, is difficult to trace. Even after printing became widespread, many classic "children's" tales were originally created for adults and later adapted for a younger audience. Since the fifteenth century much literature has been aimed specifically at children, often with a moral or religious message. Children's literature has been shaped by religious sources, like Puritan traditions, or by more philosophical and scientific standpoints with the influences of Charles Darwin and John Locke. The late nineteenth and early twentieth centuries are known as the "Golden Age of Children's Literature" because many classic children's books were published then.

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👉 Children's literature in the context of Shapeshifting

In mythology, folklore and speculative fiction, shapeshifting is the ability to physically transform oneself through unnatural means. The idea of shapeshifting is found in the oldest forms of totemism and shamanism, as well as the oldest existent literature and epic poems such as the Epic of Gilgamesh and the Iliad. The concept remains a common literary device in modern fantasy, children's literature and popular culture. Examples of shape-shifters include changelings, jinns, kitsunes, vampires, and werewolves, along with deities such as Loki and Vertumnus.

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Children's literature in the context of Alice's Adventures in Wonderland

Alice's Adventures in Wonderland (also known as Alice in Wonderland) is an 1865 English children's novel by Lewis Carroll, a mathematics don at the University of Oxford. It details the story of a girl named Alice who falls through a rabbit hole into a fantasy world of anthropomorphic creatures. It is seen as an example of the literary nonsense genre. The artist John Tenniel provided 42 wood-engraved illustrations for the book.

It received positive reviews upon release and is now one of the best-known works of Victorian literature; its narrative, structure, characters and imagery have had a widespread influence on popular culture and literature, especially in the fantasy genre. It is credited as helping end an era of didacticism in children's literature, inaugurating an era in which writing for children aimed to "delight or entertain". The tale plays with logic, giving the story lasting popularity with adults as well as with children. The titular character Alice shares her name with Alice Liddell, a girl Carroll knew—scholars disagree about the extent to which the character was based upon her.

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Children's literature in the context of Grimms' Fairy Tales

Grimms' Fairy Tales (German: Grimms Märchen), originally known as the Children's and Household Tales (German: Kinder- und Hausmärchen, pronounced [ˌkɪndɐ ʔʊnt ˈhaʊsmɛːɐ̯çən], commonly abbreviated as KHM), is a German collection of fairy tales by the Brothers Grimm, Jacob and Wilhelm, first published on 20 December 1812. Vol. 1 of the first edition contained 86 stories, which were followed by 70 more tales, numbered consecutively, in the 1st edition, Vol. 2, in 1815. By the seventh edition in 1857, the corpus of tales had expanded to 200 tales and 10 "Children's Legends". It is considered the seminal work of Western children's literature and is listed by UNESCO in its Memory of the World Register.

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Children's literature in the context of The Story of King Arthur and His Knights

The Story of King Arthur and His Knights is a 1903 children's novel by the American illustrator and writer Howard Pyle. The book contains a compilation of various stories, adapted by Pyle, regarding the legendary King Arthur of Britain and select Knights of the Round Table. Pyle's novel begins with Arthur in his youth and continues through numerous tales of bravery, romance, hardship, battle, and knighthood.

Pyle's rendition is an American adaption of traditionally English stories of the Arthurian legends. Although with some unique embellishments, it draws heavily on previous authors' stories, such as the then-recent The Boy's King Arthur (1880) by fellow American Sidney Lanier; Tennyson's Idylls of the King (1859–1885); James Thomas Knowles's The Legends of King Arthur and His Knights (1860); and ultimately Mallory's Le Morte d'Arthur (1485), the primary source material for all of the above.

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Children's literature in the context of Roald Dahl

Roald Dahl (13 September 1916 – 23 November 1990) was a British author of popular children's literature and short stories, a poet, screenwriter and a wartime fighter ace. His books have sold more than 300 million copies worldwide. He has been called "one of the greatest storytellers for children of the 20th century".

Dahl was born in Wales to affluent Norwegian immigrant parents, and lived for most of his life in England. He served in the Royal Air Force (RAF) during the Second World War. He became a fighter pilot and subsequently an intelligence officer, rising to the rank of acting wing commander. He rose to prominence as a writer in the 1940s with works for children and for adults, and he became one of the world's best-selling authors. His awards for contribution to literature include the 1983 World Fantasy Award for Life Achievement and the British Book Awards' Children's Author of the Year in 1990. In 2008, The Times placed Dahl 16th on its list of "The 50 Greatest British Writers Since 1945". In 2021, Forbes ranked him the top-earning dead celebrity.

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Children's literature in the context of Illustrator

An illustrator is an artist who specializes in enhancing writing or elucidating concepts by providing a visual representation that corresponds to the content of the associated text or idea. The illustration may be intended to clarify complicated concepts or objects that are difficult to describe textually, which is the reason illustrations are often found in children's books.

Illustration is the art of making images that work with something and add to it without needing direct attention and without distracting from what they illustrate. The other thing is the focus of the attention, and the illustration's role is to add personality and character without competing with that other thing.

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Children's literature in the context of Young adult fiction

Young adult literature (YA) is typically written for readers aged 12 to 18 and includes most of the themes found in adult fiction, such as family dysfunction, substance abuse, alcoholism, and sexuality.

The earliest known use of term young adult occurred in 1942. Prior to the 1930s teenagers, adolescents and young adults were still considered children in society. After teenagers were recognized as a distinct social group, librarians developed the category of young adult literature to help bridge the gap between children's literature and adult literature. According to a study conducted in 2023, 55% of young adult literature consumers were over 18 years of age. 78% of adult consumers purchased with the intent to read themselves. Of these adult buyers, 51% were between ages 30 and 44. This highlights the fact that readers of young adult literature are often adults.

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Children's literature in the context of The Adventures of Pinocchio

The Adventures of Pinocchio (/pɪˈnki/ pin-OH-kee-oh; Italian: Le avventure di Pinocchio. Storia di un burattino [le avvenˈtuːre di piˈnɔkkjo ˈstɔːrja di um buratˈtiːno, - dj um -], i.e. "The Adventures of Pinocchio. Story of a Puppet"), commonly shortened to Pinocchio, is an 1883 children's fantasy novel by Italian author Carlo Collodi. It is about the mischievous adventures of an animated marionette named Pinocchio. He faces many perils and temptations, meets characters who teach him about life, and learns goodness before he achieves his heart's desire to become a real boy.

The story was originally published in serial form as The Story of a Puppet (Italian: La storia di un burattino) in the Giornale per i bambini, one of the earliest Italian weekly magazines for children, starting from 7 July 1881. The story stopped after nearly 4 months and 8 episodes in Chapter 15, but by popular demand from readers, the episodes were resumed on 16 February 1882, and concluded on 25 January 1883 after a total of 30 chapters published across 26 issues, all illustrated by Ugo Fleres. In February 1883, the story was published in a single book, with illustrations by Enrico Mazzanti. Since then, Pinocchio has been one of the most popular children's books and has been critically acclaimed.

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Children's literature in the context of Mary Cooper (publisher)

Mary Cooper (died 5 August 1761) was an English publisher and bookseller based in London who flourished between 1743 and 1761. With Thomas Boreman (fl. 1730–1743), she is the earliest publisher of children's books in English, predating John Newbery.

Cooper's business was on Paternoster Row. She was the widow of printer and publisher Thomas Cooper, whose business she continued. Thomas Cooper had published a reading guide in 1742, The Child's New Play-thing, and his wife published an edition of it after his death. Active from 1743 to 1761, she is notable especially for publishing Tommy Thumb's Pretty Song Book (1744), "the first known collection of English nursery rhymes in print". Cooper collected the rhymes, each of which had a companion woodcut, and later critics have remarked that "Cooper's ear for a good jingle was unerring".

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