Mausoleum of Halicarnassus in the context of "Mausolus"

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⭐ Core Definition: Mausoleum of Halicarnassus

The Mausoleum at Halicarnassus or Tomb of Mausolus (Ancient Greek: Μαυσωλεῖον τῆς Ἁλικαρνασσοῦ; Turkish: Halikarnas Mozolesi) was a tomb built between 353 and 351 BC in Halicarnassus (present Bodrum, Turkey) for Mausolus, an Anatolian from Caria and a satrap in the Achaemenid Persian Empire, and his sister-wife Artemisia II of Caria. The structure was designed by the Greek architects Satyros and Pythius of Priene. Its elevated tomb structure is derived from the tombs of neighbouring Lycia, a territory Mausolus had invaded and annexed c. 360 BC, such as the Nereid Monument.

The Mausoleum was approximately 45 m (148 ft) in height, and the four sides were adorned with sculptural reliefs, each created by one of four Greek sculptors: Leochares, Bryaxis, Scopas of Paros, and Timotheus. The Mausoleum contained 400 freestanding sculptures. The mausoleum was considered to be such an aesthetic triumph that Antipater of Sidon identified it as one of his Seven Wonders of the Ancient World. It was destroyed by successive earthquakes from the 12th to the 15th century; it was the last surviving of the six destroyed wonders.

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Mausoleum of Halicarnassus in the context of Halicarnassus

Halicarnassus (/ˌhælɪkɑːrˈnæsəs/ HAL-ih-kar-NASS-əs; Latin: Halicarnassus or Halicarnāsus; Ancient Greek: Ἁλικαρνασσός Ancient Greek pronunciation: [ha.li.kar.naːs.sós] Halikarnāssós; Turkish: Halikarnas; Carian: 𐊠𐊣𐊫𐊰 𐊴𐊠𐊥𐊵𐊫𐊰 alos k̂arnos) was an ancient Greek city in Caria, in Anatolia. It was located in southwest Caria, on an advantageous site on the Gulf of Gökova, which is now in Bodrum, Turkey. The city was famous for the Mausoleum of Halicarnassus, also known simply as the Tomb of Mausolus, whose name provided the origin of the word "mausoleum". The mausoleum, built from 353 to 350 BC, ranked as one of the seven wonders of the ancient world.

Halicarnassus' history was unique on two interlinked issues. Halicarnassus retained a monarchical system of government at a time when most other Greek city states had long since rid themselves of their kings. Secondly, while their Ionian neighbours rebelled against Persian rule, Halicarnassus remained loyal to them. It formed part of the Persian Empire until Alexander the Great captured it at the siege of Halicarnassus in 333 BC.

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Mausoleum of Halicarnassus in the context of Church monument

Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living.

The deposit of objects with an apparent aesthetic intention is found in almost all cultures – Hindu culture, which has little, is a notable exception. Many of the best-known artistic creations of past cultures – from the Egyptian pyramids and the Tutankhamun treasure, to the Terracotta Army surrounding the tomb of Qin Shi Huang, the Mausoleum of Halicarnassus, the Sutton Hoo ship burial and the Taj Mahal – are tombs or objects found in and around them. In most instances, specialized funeral art was produced for the powerful and wealthy, although the burials of ordinary people might include simple monuments and grave goods, usually from their possessions.

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