Maud Allan (born as either Beulah Maude Durrant or Ulah Maud Alma Durrant; 27 August 1873 – 7 October 1956) was a Canadian dancer, chiefly noted for her Dance of the Seven Veils. Though not perceived as an accomplished dancer, she performed in Oscar Wilde's play Salome, dancing the title role topless, which garnered great attention. During World War I, she sued the British MP Noel Pemberton Billing for libel against allegations that she was a lesbian and that German agents were using her sexual orientation as grounds to blackmail her into spying for them on the British government. She was unsuccessful. The trial resurrected public disapproval of Oscar Wilde, whose own failed libel trial had initiated his arrest, conviction and imprisonment for sodomy two decades earlier.
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Maud Allan in the context of Modern dance
Modern dance is a broad genre of western concert or theatrical dance which includes dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors.
In the late 19th century, modern dance artists such as Isadora Duncan, Maud Allan, and Loie Fuller were pioneering new forms and practices in what is now called improvisational or free dance. These dancers disregarded ballet's strict movement vocabulary (the particular, limited set of movements that were considered proper to ballet) and stopped wearing corsets and pointe shoes in the search for greater freedom of movement.