Martial industrial in the context of Post-industrial music


Martial industrial in the context of Post-industrial music

⭐ Core Definition: Martial industrial

Martial industrial (also known as military pop) is a syncretic offshoot of industrial music characterized by noise, dark ambient atmospheres, neofolk melodies, dark wave tunes and neoclassical orchestrations as well as the incorporation of audio from military marches, historical speeches and political, apolitical or metapolitical lyrics. Unlike other post-industrial genres, martial industrial is typically interested more in a particular worldview or philosophy than pure experimentalism.

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Martial industrial in the context of Industrial music

Industrial music (or simply industrial) is a subgenre of experimental music inspired by post-industrial society, initially drawing influences from avant-garde and early electronic music genres such as musique concrète, tape music, noise and sound collage. The term was coined in 1976 by Monte Cazazza and Throbbing Gristle, with the founding of Industrial Records. Other early industrial musicians include NON and Cabaret Voltaire. By the late 1970s, additional artists emerged such as Clock DVA, Nocturnal Emissions, Einstürzende Neubauten, SPK, Nurse with Wound, and Z’EV, alongside Whitehouse who coined the subgenre "power electronics".

During the 1980s, industrial music splintered into a range of offshoots collectively labelled "post-industrial music", these included, EBM, new beat, hard beat, dark ambient, neofolk, power noise, industrial dance, electro-industrial, dark electro, aggrotech, industrial rock, industrial metal, cyber metal, Neue Deutsche Härte, martial industrial, industrial hip-hop and industrial techno. By the 1990s, elements of industrial music were made accessible to mainstream audiences through the popularity of acts such as Nine Inch Nails, Ministry, Rammstein, and Marilyn Manson, all of whom released platinum-selling records.

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Martial industrial in the context of Industrial rock

Industrial rock is a fusion genre that fuses industrial music and rock music. Originally emerging in the late 1970s to early 1980s, pioneered by artists such as Chrome, Killing Joke, Swans, Big Black and Skinny Puppy, the movement was further proliferated in the late 1980s by Wax Trax! Records in Chicago, with artists like Front 242, Front Line Assembly, KMFDM, and Sister Machine Gun.

Subsequently, the movement would lead to the emergence of genre fusions and subgenres like electro-industrial, industrial metal, martial industrial, industrial hip-hop, industrial dance and industrial techno. By the 1990s, broader industrial music genres were made accessible to mainstream audiences through the popularity of acts such as Nine Inch Nails, Ministry, Rammstein, Marilyn Manson, all of whom released platinum-selling records.

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