Mars in fiction in the context of "Canals on Mars"

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⭐ Core Definition: Mars in fiction

Mars, the fourth planet from the Sun, has appeared as a setting in works of fiction since at least the mid-1600s. Trends in the planet's portrayal have largely been influenced by advances in planetary science. It became the most popular celestial object in fiction in the late 1800s, when it became clear that there was no life on the Moon. The predominant genre depicting Mars at the time was utopian fiction. Around the same time, the mistaken belief that there are canals on Mars emerged and made its way into fiction, popularized by Percival Lowell's speculations of an ancient civilization having constructed them. The War of the Worlds, H. G. Wells's novel about an alien invasion of Earth by sinister Martians, was published in 1897 and went on to have a major influence on the science fiction genre.

Life on Mars appeared frequently in fiction throughout the first half of the 1900s. Apart from enlightened as in the utopian works from the turn of the century, or evil as in the works inspired by Wells, intelligent and human-like Martians began to be depicted as decadent, a portrayal that was popularized by Edgar Rice Burroughs in the Barsoom series and adopted by Leigh Brackett among others. More exotic lifeforms appeared in stories like Stanley G. Weinbaum's "A Martian Odyssey".

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Mars in fiction in the context of The War of the Worlds

The War of the Worlds is a science fiction novel by English author H. G. Wells about an attempted invasion of Earth by beings from the planet Mars with much greater intelligence and more advanced weapons than humans. The Martians intend to eliminate mankind and conquer Earth because their own older and smaller world has reached the "last stage of exhaustion". It was written between 1895 and 1897, and serialised in Pearson's Magazine in the UK and Cosmopolitan magazine in the US in 1897. The full novel was first published in hardcover in 1898 by William Heinemann. The War of the Worlds is one of the earliest stories to detail a conflict between humankind and an extraterrestrial race. The novel is the first-person narrative of an unnamed protagonist in Surrey and his younger brother who escapes to Tillingham in Essex as London and Southern England are invaded by Martians. It is one of the most commented-on works in the science fiction canon.

The plot is similar to other works of invasion literature from the same period and has been variously interpreted as a commentary on the theory of evolution, imperialism, and Victorian era fears, superstitions and prejudices. Wells later noted that inspiration for the plot was the catastrophic effect of European colonisation on the Aboriginal Tasmanians. Some historians have argued that Wells wrote the book to encourage his readership to question the morality of imperialism. In the preface to his collected works in 1933, Wells explained: "My early, profound and lifelong admiration for [Jonathan] Swift...is particularly evident in a predisposition to make the stories reflect upon contemporary political and social discussions", adding "The War of the Worlds like The Time Machine was another assault on human self-satisfaction", both being "consciously grim, under the influence of Swift's tradition".

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