Mark Chesnutt in the context of Alison Krauss

⭐ Core Definition: Mark Chesnutt

Mark Nelson Chesnutt (born September 6, 1963) is an American country music singer and songwriter. Between 1990 and 1999, he had his greatest chart success recording for Universal Music Group Nashville's MCA and Decca branches, with a total of eight albums between those two labels. During this timespan, Chesnutt also charted twenty top-ten hits on the Billboard Hot Country Songs charts, of which eight reached number one: "Brother Jukebox", "I'll Think of Something", "It Sure Is Monday", "Almost Goodbye", "I Just Wanted You to Know", "Gonna Get a Life", "It's a Little Too Late", and a cover of Aerosmith's "I Don't Want to Miss a Thing". His first three albums for MCA (Too Cold at Home, Longnecks & Short Stories, and Almost Goodbye) along with a 1996 Greatest Hits package issued on Decca are all certified platinum by the Recording Industry Association of America (RIAA); 1994's What a Way to Live, also issued on Decca, is certified gold. After a self-titled album in 2002 on Columbia Records, Chesnutt has continued to record predominantly on independent labels.

Chesnutt is known for his neotraditionalist country and honky-tonk influences, with frequent stylistic comparisons to George Jones. He has recorded several cover songs as both singles and album cuts, including covers of Hank Williams Jr., John Anderson, Don Gibson, Conway Twitty, and Charlie Rich. Artists with whom he has collaborated include Jones, Tracy Byrd, Vince Gill, and Alison Krauss. Mark Wright produced all but one of his albums released in the 1990s, while his work since 2005 has been produced by Jimmy Ritchey. Chesnutt has also won two awards from the Country Music Association: the Horizon Award (now known as Best New Artist) and Vocal Event of the Year, both in 1993.

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Mark Chesnutt in the context of Neotraditional country

Neotraditional country (also known as new traditional country, hardcore country, or hard country) is a country music style and subgenre that developed in the 1980s and emphasizes the traditional country instrumental background (i.e. fiddle and pedal steel guitar) and traditional country vocals found in subgenres popularized in the 1940s-60s. Neo-traditional country draws inspiration from styles such as honky-tonk, Western swing, and the Bakersfield sound and performers such as Hank Williams, George Jones, Loretta Lynn, Buck Owens, Tammy Wynette, Kitty Wells, Bob Wills, Ernest Tubb, and Merle Haggard. as well as often dressing in the fashions of the country music scene of the 1940s-1960s.

The neotraditional country movement was ignited by artists George Strait, Ricky Skaggs, and John Anderson in the early 1980s as a reaction to the pop-country and Urban Cowboy scene of the late 1970s and early 1980s,and became popular in the mainstream country scene by the mid-1980s into the mid-1990s with artists such as Randy Travis, Clint Black, Dwight Yoakam, Alan Jackson, Highway 101, Patty Loveless, Kenny Chesney, The Judds, Brooks & Dunn, Mark Chesnutt, Toby Keith, and Keith Whitley. By the mid-to-late 1990s, the neotraditional country movement was overtaken in popularity by "stadium-sized" pop-country performers like Garth Brooks, Shania Twain, Faith Hill, Billy Ray Cyrus, LeAnn Rimes, and Tim McGraw, who integrated aspects of the neotraditional style with the musical and theatrical components of arena rock, adult contemporary music and 70s-90s pop music.

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