Mark's Gospel in the context of "Apostle Peter"

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⭐ Core Definition: Mark's Gospel

The Gospel of Mark is the second of the four canonical Gospels and one of the three synoptic Gospels. It tells of the ministry of Jesus from his baptism by John the Baptist to his death, the burial of his body, and the discovery of his empty tomb. It portrays Jesus as a teacher, an exorcist, a healer, and a miracle worker. Jesus refers to himself as the Son of Man and is called the Son of God, though he keeps his messianic nature secret; even his disciples fail to understand him. This is in keeping with the Christian interpretation of prophecy, which is believed to foretell the fate of the messiah as a suffering servant.

Traditionally attributed to Mark the Evangelist, the companion of the Apostle Peter, the gospel is anonymous, and scholarship is inconclusive on its authorship. It is dated to around 70 AD and was likely written in Rome for a gentile audience. Mark is classified as an ancient biography and was meant to strengthen the faith of its readers. Most scholars hold that Mark is the earliest gospel and was used by both Matthew and Luke. Mark has therefore often been seen as the most reliable gospel, though this has recently been challenged.

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Mark's Gospel in the context of The Baptism of Christ (Verrocchio and Leonardo)

The Baptism of Christ is an oil-on-panel painting finished around 1475 in the studio of the Italian Renaissance painter Andrea del Verrocchio and generally ascribed to him and his pupil Leonardo da Vinci. Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well.

The picture depicts the Baptism of Jesus by John the Baptist as recorded in the Biblical Gospels of Matthew, Mark and Luke. The angel to the left is recorded as having been painted by the youthful Leonardo, a fact which has excited so much special comment and mythology, that the importance and value of the picture as a whole and within the œuvre of Verrocchio is often overlooked. Modern critics also attribute much of the landscape in the background to Leonardo as well. The painting is housed in the Uffizi Gallery in Florence.

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