Marion Ravenwood in the context of "Abner Ravenwood"

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⭐ Core Definition: Marion Ravenwood

Marion Ravenwood is a fictional character who first appeared in the 1981 film Raiders of the Lost Ark. Played by Karen Allen, she enters the story when Indiana Jones visits her in Nepal, needing her help to locate the Ark of the Covenant with a possession originally obtained by her father, Dr. Abner Ravenwood. After 27 years of absence (21 years in the films' internal chronology), the character returned in Indiana Jones and the Kingdom of the Crystal Skull (2008) and Indiana Jones and the Dial of Destiny (2023), portrayed by Allen, and the video game Indiana Jones and the Great Circle (2024), voiced by Allen.

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Marion Ravenwood in the context of Raiders of the Lost Ark

Raiders of the Lost Ark is a 1981 American action-adventure film directed by Steven Spielberg and written by Lawrence Kasdan, based on a story by George Lucas and Philip Kaufman. Set in 1936, the film stars Harrison Ford as Indiana Jones, a globetrotting archaeologist vying with Nazi German forces to recover the long-lost Ark of the Covenant which is said to make an army invincible. Teaming up with his tough former romantic interest Marion Ravenwood (Karen Allen), Jones races to stop rival archaeologist René Belloq (Paul Freeman) from guiding the Nazis to the Ark and its power.

Lucas conceived Raiders of the Lost Ark in the early 1970s. Seeking to modernize the serial films of the early 20th century, he developed the idea further with Kaufman, who suggested the Ark as the film's goal. Lucas eventually focused on developing his 1977 film Star Wars. Development on Raiders of the Lost Ark resumed that year when he shared the idea with Spielberg, who joined the project several months later. While the pair had ideas for set pieces and stunts for the film, they hired Kasdan to fill in the narrative gaps between them. Principal photography began in June 1980 on a $20 million budget, and concluded that September. Filming took place on sets at Elstree Studios, England, and on location mainly in La Rochelle, France, Tunisia, and Hawaii.

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Marion Ravenwood in the context of Karen Allen

Karen Jane Allen (born October 5, 1951) is an American film, television and stage actress. She made her film debut in the comedy film Animal House (1978), which was soon followed by a small role in Woody Allen's romantic comedy-drama Manhattan (1979) and a co-lead role in Philip Kaufman's coming-of-age film The Wanderers (1979), before co-starring opposite Al Pacino in William Friedkin's crime thriller Cruising (1980).

Allen's critical and commercial breakthrough came when she portrayed Marion Ravenwood opposite Harrison Ford in Raiders of the Lost Ark (1981), for which she won the Saturn Award for Best Actress. She later co-starred in Shoot the Moon (1982), Starman (1984), for which she was again nominated for the Saturn Award for Best Actress, and Scrooged (1988).

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Marion Ravenwood in the context of Indiana Jones and the Kingdom of the Crystal Skull

Indiana Jones and the Kingdom of the Crystal Skull is a 2008 American action adventure film directed by Steven Spielberg from a screenplay by David Koepp, based on a story by George Lucas and Jeff Nathanson. It is the fourth installment in the Indiana Jones film series and a sequel to Indiana Jones and the Last Crusade (1989). Set in 1957, it pits Indiana Jones (Harrison Ford) against Soviet KGB agents led by Irina Spalko (Cate Blanchett) searching for a telepathic crystal skull located in Peru.Jones is aided by his former lover, Marion Ravenwood (Karen Allen), and their son, Mutt Williams (Shia LaBeouf). Ray Winstone, John Hurt, and Jim Broadbent are also part of the supporting cast.

Jeb Stuart, Jeffrey Boam, Frank Darabont, Lucas, and Nathanson wrote drafts before Koepp's script satisfied the producers. The filmmakers intended to pay tribute to the science fiction B movies in the 1950s. Shooting began on June 18, 2007, at various locations in New Mexico, New Haven, Connecticut, Hawaii, and Fresno, California, as well as on sound stages in Los Angeles. To maintain aesthetic continuity with the previous films, the crew relied on traditional stunt work instead of computer-generated stunt doubles, and cinematographer Janusz Kamiński studied Douglas Slocombe's style from the previous films.

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