Marilyn Monroe in the context of "20th Century Fox"

The birth name is the name of the person given upon their birth. The term may be applied to the surname, the given name or to the entire name. Where births are required to be officially registered, the entire name entered onto a births register or birth certificate may by that fact alone become the person's legal name.

A birth certificate is a vital record that documents the birth of a person. The term "birth certificate" can refer to either the original document certifying the circumstances of the birth or to a certified copy of or representation of the ensuing registration of that birth. Depending on the jurisdiction, a record of birth might or might not contain verification of the event by a healthcare professional such as a midwife or doctor.

The United Nations Sustainable Development Goal 17 of 2015, an integral part of the 2030 Agenda, has a target to increase the timely availability of data regarding age, gender, race, ethnicity, and other relevant characteristics which documents like a birth certificate have the capacity to provide.

Arthur Asher Miller (October 17, 1915 – February 10, 2005) was an American actor and writer of plays in the 20th-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), and A View from the Bridge (1955). He wrote several screenplays, including The Misfits (1961). The drama Death of a Salesman is considered one of the best American plays of the 20th century.

Miller was often in the public eye, particularly during the late 1940s, 1950s and early 1960s. During this time, he received a Pulitzer Prize for Drama, testified before the House Un-American Activities Committee, and married Marilyn Monroe. In 1980, he received the St. Louis Literary Award from the Saint Louis University Library Associates. He received the Praemium Imperiale prize in 2001, the Prince of Asturias Award in 2002, and the Jerusalem Prize in 2003, and the Dorothy and Lillian Gish Prize in 1999.

Glamour photography is a genre of photography in which the subjects are portrayed in attractive poses ranging from fully clothed to nude, and often erotic. Photographers use a combination of cosmetics, lighting and airbrushing techniques to produce an appealing image of the subject. The focus lies in the beauty of the subject's body or portrait; as such, beauty standards are often a key determinant of glamour model trends. A popular subset of this type of photography is "pin-up" for women and "beefcake" for men.

Since glamour photography can include nudity, in such cases the distinction from softcore pornography is largely a matter of taste, although depictions of sexual contact are not considered within this genre and are considered pornographic. Glamour photography is generally a composed image of a subject in a still position. The subjects of glamour photography for professional use are often professional models, and the photographs are normally intended for commercial use, including mass-produced calendars, pinups and men's magazines such as Maxim; but amateur subjects are also sometimes used, and sometimes the photographs are intended for private and personal use only.

A stage name or professional name is a pseudonym used by performers, authors, and entertainers—such as actors, comedians, singers, and musicians. The equivalent concept among writers is called a nom de plume (pen name). Some performers eventually choose to adopt their stage name as a legal name.

Such professional aliases are adopted for a wide variety of reasons and may be similar or nearly identical to an individual's birth name or be inspired by nicknames or maiden names. Some people take a stage name because their birth name is difficult to pronounce or spell; is considered unattractive, dull, or unintentionally amusing; or projects an undesired image. Sometimes a performer adopts a name that is unusual or outlandish to attract attention. Some individuals use a stage name because their birth name is already being used by another notable individual, including names that are not exactly the same but still too similar; many guilds and associations that represent actors mandate that no two members may have identical working names. Other performers use a stage name in order to retain anonymity, as is often the case for porn stars, especially if they intend on switching careers. The phrase nom de porn is sometimes used to refer to a pornographic actor's stage name, referring to the English use of the French-language phrase for pen name.

Andy Warhol (/ˈwɔːrhɒl/ ; born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American artist, filmmaker, and impresario. Drawing on imagery from advertising, mass media, and celebrity culture, he transformed everyday consumer goods and familiar icons—such as Campbell's soup cans, Marilyn Monroe, and Brillo Pad boxes—into renowned artworks, establishing himself as a leading figure in the pop art movement. Warhol is widely regarded as the most important American artist of the second half of the 20th century.

Born to working-class Rusyn immigrant parents in Pittsburgh, Warhol began his career as a successful commercial illustrator in New York before turning to fine art, where his embrace of mechanical reproduction, silkscreen printing, and serial repetition challenged traditional boundaries between high and low culture. His studio, the Factory, became a hub for avant-garde experimentation, bringing together drag queens, poets, bohemians, musicians, and wealthy patrons. He directed numerous underground films—such as Chelsea Girls (1966), Lonesome Cowboys (1968), and Blue Movie (1969)—featuring a shifting group of personalities known as Warhol superstars, and he is often credited with popularizing the expression "15 minutes of fame." Warhol also managed the influential rock band the Velvet Underground, who performed at his multimedia happenings, the Exploding Plastic Inevitable (1966–67). He expressed his queer identity through many of his artworks and films at a time when homosexuality in the United States was heavily stigmatized and legally constrained.