Margaret Atwood in the context of Franz Kafka Prize

Literary fiction—also called serious fiction, high literature, artistic literature, or sometimes just literature, encompasses fiction that is more character-driven than plot-driven, examines the human condition, or is considered serious art by critics. These labels are typically used in contrast to genre fiction, which refers to books that fit into established categories of the book trade and place more value on entertainment and appealing to a mass audience. Literary fiction can also be called non-genre fiction and is often considered to have more artistic merit than popular genre fiction.

Some categories of literary fiction, such as historical fiction, magic realism, autobiographical novels, and encyclopedic novels, are frequently called genres without being considered genre fiction. Some authors are seen as writing literary equivalents or precursors to established genres while still maintaining the division between commercial and literary fiction. Examples include the literary romance of Jane Austen and the speculative fiction of Margaret Atwood. Some critics and genre authors have argued for even greater overlap between literary and commercial fiction, noting that major literary figures have used elements of popular genres—such as science fiction, crime fiction, and romance—to create works of literature. The slipstream genre is sometimes described as falling between the genre fiction and non-genre fiction.

Fellowship of the Royal Society of Canada (FRSC) is an award granted to individuals that the Royal Society of Canada judges to have "made remarkable contributions in the arts, the humanities and the sciences, as well as in Canadian public life". As of 2020, there are more than 2,000 living Canadian fellows, including scholars, artists, and scientists such as Margaret Atwood, Philip J. Currie, David Suzuki, Brenda Milner, and Demetri Terzopoulos. There are four types of fellowship:

1. Honorary fellows (a title of honour)
2. Regularly elected fellows
3. Specially elected fellows
4. Foreign fellows (neither residents nor citizens of Canada)

Climate fiction (sometimes shortened to cli-fi) is literature that deals with climate change. Generally speculative in nature but inspired by climate science, works of climate fiction may take place in the world as we know it, in the near future, or in fictional worlds experiencing climate change. The genre frequently includes science fiction and dystopian or utopian themes, imagining potential futures based on research about the impacts of climate change and speculations about how humans may respond to these and the problem of climate change. Climate fiction typically involves anthropogenic climate change and other environmental issues as opposed to weather and disaster more generally. Technologies such as climate engineering or climate adaptation practices often feature prominently in works exploring their impacts on society.

The term "cli-fi" is generally credited to freelance news reporter and climate activist Dan Bloom, who coined it in either 2007 or 2008. References to "climate fiction" appear to have begun in the 2010s, although the term has also been retroactively applied to a number of works. Pioneering 20th century authors of climate fiction include J. G. Ballard and Octavia E. Butler, while dystopian fiction from Margaret Atwood is often cited as an immediate precursor to the genre's emergence. Since 2010, prominent cli-fi authors include Kim Stanley Robinson, Richard Powers, Paolo Bacigalupi, and Barbara Kingsolver. The publication of Robinson's The Ministry for the Future in 2020 helped cement the genre's emergence; the work generated presidential and United Nations mentions and an invitation for Robinson to meet planners at the Pentagon.

The Handmaid's Tale is a futuristic dystopian novel by Canadian author Margaret Atwood published in 1985. It is set in a near-future New England in a patriarchal, totalitarian theonomic state known as the Republic of Gilead, which has overthrown the United States government. Offred is the central character and narrator and one of the "Handmaids": women who are forcibly assigned to produce children for the "Commanders", who are the ruling class in Gilead.

The novel explores themes of powerless women in a patriarchal society, loss of female agency and individuality, suppression of reproductive rights, and the various means by which women resist and try to gain individuality and independence. The title echoes the component parts of Geoffrey Chaucer's The Canterbury Tales, which is a series of connected stories (such as "The Merchant's Tale" and "The Parson's Tale"). It also alludes to the tradition of fairy tales where the central character tells her story.

Feminism is a collection of movements aimed at defining, establishing, and defending equal political, economic, and social rights for women. Existentialism is a philosophical and cultural movement which holds that the starting point of philosophical thinking must be the individual and the experiences of the individual, that moral thinking and scientific thinking together are not sufficient for understanding all of human existence, and, therefore, that a further set of categories, governed by the norm of authenticity, is necessary to understand human existence. (Authenticity, in the context of existentialism, is to recognize the responsibility we have for our existence.) This philosophy analyzes relationships between the individual and things, or other human beings, and how they limit or condition choice.

Existentialist feminists emphasize concepts such as freedom, interpersonal relationships, and the experience of living as a human body. They value the capacity for radical change, but recognize that factors such as self-deception and the anxiety caused by the possibility of change can limit it. Many are dedicated to exposing and undermining socially imposed gender roles and cultural constructs limiting women's self-determination, and criticize post-structuralist feminists who deny the intrinsic freedom of individual women. A woman who makes considered choices regarding her way of life and suffers the anxiety associated with that freedom, isolation, or nonconformity, yet remains free, demonstrates the tenets of existentialism. The novels of Kate Chopin, Doris Lessing, Joan Didion, Margaret Atwood, and Margaret Drabble include such existential heroines.