Map in the context of "Thematic map"

A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, relationship, or mathematical formula. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise different concepts and experiences. All communication is achieved through the use of symbols: for example, a red octagon is a common symbol for "STOP"; on maps, blue lines often represent rivers; and a red rose often symbolizes love and compassion. Numerals are symbols for numbers; letters of an alphabet may be symbols for certain phonemes; and personal names are symbols representing individuals. The academic study of symbols is called semiotics.

In the arts, symbolism is the use of a concrete element to represent a more abstract idea. In cartography, an organized collection of symbols forms a legend for a map.

A world map is a map of most or all of the surface of Earth. World maps, because of their scale, must deal with the problem of projection. Maps rendered in two dimensions by necessity distort the display of the three-dimensional surface of the Earth. While this is true of any map, these distortions reach extremes in a world map. Many techniques have been developed to present world maps that address diverse technical and aesthetic goals.

Charting a world map requires global knowledge of the Earth, its oceans, and its continents. From prehistory through the Middle Ages, creating an accurate world map would have been impossible because less than half of Earth's coastlines and only a small fraction of its continental interiors were known to any culture. With exploration that began during the European Renaissance, knowledge of the Earth's surface accumulated rapidly, such that most of the world's coastlines had been mapped, at least roughly, by the mid-1700s and the continental interiors by the twentieth century.

The Ptolemy world map is a map of the world known to Greco-Roman societies in the 2nd century. It is based on the description contained in Ptolemy's book Geography, written c. 150. Based on an inscription in several of the earliest surviving manuscripts, it is traditionally credited to Agathodaemon of Alexandria.

Notable features of Ptolemy's map is the first use of longitudinal and latitudinal lines as well as specifying terrestrial locations by celestial observations. The Geography was translated from Greek into Arabic in the 9th century and played a role in the work of al-Khwārizmī before lapsing into obscurity. The idea of a global coordinate system revolutionized European geographical thought, however, and inspired more mathematical treatment of cartography.

Terra incognita or terra ignota (Latin "unknown land"; incognita is stressed on its second syllable in Latin, but with variation in pronunciation in English) is a term used in cartography for regions that have not been mapped or documented. The expression is believed to be first seen in Ptolemy's Geography c. 150. The term was reintroduced in the 15th century from the rediscovery of Ptolemy's work during the Age of Discovery. The equivalent on French maps would be terres inconnues (plural form), and some English maps may show Parts Unknown. Similarly, uncharted or unknown seas would be labeled mare incognitum, Latin for "unknown sea".

Non-fiction (or nonfiction) is any document or media content that attempts, in good faith, to convey information only about the real world, rather than being grounded in imagination. Non-fiction typically aims to present topics objectively based on historical, scientific, and empirical information. However, some non-fiction ranges into more subjective territory, including sincerely held opinions on real-world topics.

Often referring specifically to prose writing, non-fiction is one of the two fundamental approaches to story and storytelling, in contrast to narrative fiction, which is largely populated by imaginary characters and events. Non-fiction writers can show the reasons and consequences of events, they can compare, contrast, classify, categorise and summarise information, put the facts in a logical or chronological order, infer and reach conclusions about facts, etc. They can use graphic, structural and printed appearance features such as pictures, graphs or charts, diagrams, flowcharts, summaries, glossaries, sidebars, timelines, table of contents, headings, subheadings, bolded or italicised words, footnotes, maps, indices, labels, captions, etc. to help readers find information.

Cartography (/kɑːrˈtɒɡrəfi/) is the study and practice of making and using maps. Combining science, aesthetics and technique, cartography builds on the premise that reality (or an imagined reality) can be modeled in ways that communicate spatial information effectively.

The fundamental objectives of traditional cartography are to:

Graphics (from Ancient Greek γραφικός (التصميم) 'pertaining to drawing, painting, writing, etc.') are visual images or designs on some surface, such as a wall, canvas, screen, paper, or stone, to inform, illustrate, or entertain. In contemporary usage, it includes a pictorial representation of data, as in design and manufacture, in typesetting and the graphic arts, and in educational and recreational software. Images that are generated by a computer are called computer graphics.

Examples are photographs, drawings, line art, mathematical graphs, line graphs, charts, diagrams, typography, numbers, symbols, geometric designs, maps, engineering drawings, or other images. Graphics often combine text, illustration, and color. Graphic design may consist of the deliberate selection, creation, or arrangement of typography alone, as in a brochure, flyer, poster, web site, or book without any other element. The objective can be clarity or effective communication, association with other cultural elements, or merely the creation of a distinctive style.

In general, an imaginary line is usually any sort of geometric line (more generally, curves) that has only an abstract definition and does not physically exist. They are often used to properly identify places on a map.

Some outside geography do exist. A centerline is a nautical term for a line down the center of a vessel lengthwise.

A cartogram (also called a value-area map or an anamorphic map, the latter common among German speakers) is a thematic map of a set of features (countries, provinces, etc.), in which their geographic size is altered to be directly proportional to a selected variable, such as travel time, population, or gross national income. Geographic space itself is thus warped, sometimes extremely, in order to visualize the distribution of the variable. It is one of the most abstract types of map; in fact, some forms may more properly be called diagrams. They are primarily used to display emphasis and for analysis as nomographs.

Cartograms leverage the fact that size is the most intuitive visual variable for representing a total amount. In this, it is a strategy that is similar to proportional symbol maps, which scale point features, and many flow maps, which scale the weight of linear features. However, these two techniques only scale the map symbol, not space itself; a map that stretches the length of linear features is considered a linear cartogram (although additional flow map techniques may be added). Once constructed, cartograms are often used as a base for other thematic mapping techniques to visualize additional variables, such as choropleth mapping.