Mantua in the context of "Lombard language"

Play Trivia Questions online!

or

Skip to study material about Mantua in the context of "Lombard language"

Ad spacer

⭐ Core Definition: Mantua

Mantua (/ˈmæntjuə/ MAN-tew-ə; Italian: Mantova [ˈmantova] ; Lombard and Latin: Mantua) is a comune (municipality) in the Italian region of Lombardy, and capital of the eponymous province.

In 2016, Mantua was designated as the "Italian Capital of Culture". In 2017, it was named as the "European Capital of Gastronomy", included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona).

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<
In this Dossier

Mantua in the context of Leon Battista Alberti

Leon Battista Alberti (Italian: [leombatˈtista alˈbɛɾti]; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths. He is considered the founder of European cryptography, a claim he shares with Johannes Trithemius.

He is often considered primarily an architect. However, according to James Beck, "to single out one of Leon Battista's 'fields' over others as somehow functionally independent and self-sufficient is of no help at all to any effort to characterize Alberti's extensive explorations in the fine arts". Although Alberti is known mostly as an artist, he was also a mathematicianand made significant contributions to that field. Among the most famous buildings he designed are the churches of San Sebastiano (1460) and Sant'Andrea (1472), both in Mantua.

↑ Return to Menu

Mantua in the context of Frans Geffels

Frans Geffels, known in Italy as Francesco Geffels (25 August 1624 – 18 February 1694), was a Flemish painter, printmaker, architect, stage designer and designer of ephemeral structures for solemn and festive occasions. After training in his native Antwerp, he was mainly active in Mantua, where he was prefetto delle fabbriche to the Duke, a role that gave him the direction of the artistic and construction activities undertaken by the Ducal court. He worked also on projects for the local aristocratic class of Mantua. In addition, he completed projects for the Liechtenstein princes and for the imperial court in Vienna.

He was both a canvas and fresco painter. He created portraits, history subjects, military scenes, architectural scenes and genre art, in particular merry companies. Geffels is mainly remembered as the designer of some of the key examples of Baroque architecture in Mantua.

↑ Return to Menu

Mantua in the context of Third Italian War of Independence

The Third Italian War of Independence (Italian: Terza guerra d'indipendenza italiana) was a war between the Kingdom of Italy and the Austrian Empire fought between June and August 1866. The conflict paralleled the Austro-Prussian War and resulted in Austria giving the region of Venetia (present-day Veneto, Friuli and the city of Mantua, the last remnant of the Quadrilatero) to the Second French Empire (acting as intermediary in negotiations), which formally gave it to Italy. Italy's acquisition of this wealthy and populous territory, annexed with a plebiscite, represented a major step in the Unification of Italy.

↑ Return to Menu

Mantua in the context of Siege of Mantua (1796–97)

The siege of Mantua lasted from 4 June 1796 to 2 February 1797 with a short break where French forces under the overall command of Napoleon Bonaparte besieged and blockaded a large Austrian garrison at Mantua for many months until it surrendered. The siege was the focal point of the Italian Campaign of 1796-1797, lasting the vast majority of the campaign and being the hinge point that would determine which side would control Northern Italy. The eventual surrender, together with the heavy losses incurred during four unsuccessful relief attempts, led to Napoleon invading Austria and convincing the Austrians to sue for peace in 1797. The siege occurred during the War of the First Coalition, which is part of the French Revolutionary Wars. Mantua, a city in the Lombardy region of Italy, lies on the Mincio River.

After driving the Austrian army out of northwest and north-central Italy, the French invested the fortress of Mantua starting in early June 1796. In late July, a new Austrian commander, Dagobert Sigmund von Wurmser, led an army to the relief of Joseph Canto d'Irles's garrison from the north. Mantua was reached and the French were forced to abandon the siege. However, the Austrians were subsequently beaten in the battles of Lonato and Castiglione. Forced to retreat, Wurmser resupplied and reinforced the fortress with food and able-bodied troops. After withdrawing north up the Adige River, Wurmser planned to move his main army through the mountains to Bassano via the Brenta valley. From there he would mount the second relief of Mantua from the northeast. In an exceedingly bold maneuver, Bonaparte smashed Paul Davidovich's covering force and followed Wurmser down the Brenta valley. Overcoming the Austrian army at Bassano in early September, Bonaparte tried to destroy Wurmser but failed. Instead he chased the bulk of the Austrian army into Mantua. The garrison now counted 30,000 men, but cut off from outside help, disease and starvation began mowing down Wurmser's troops.

↑ Return to Menu

Mantua in the context of Putto

A putto (Italian: putto]; plural putti [ˈputti]) is a figure in a work of art depicted as a chubby male child, usually naked and very often winged. Originally limited to profane passions in symbolism, the putto came to represent a sort of baby angel in religious art, often called a cherub (plural cherubim), though in traditional Christian theology, a cherub is actually one of the most senior types of angel.

The same figures were also seen in representations of classical myth, and increasingly in general decorative art. In Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti).

↑ Return to Menu

Mantua in the context of Bienor (mythology)

In Greek mythology, the name Bienor (Ancient Greek: Βιήνωρ) or Bianor (Βιάνωρ) may refer to:

↑ Return to Menu

Mantua in the context of War of the Mantuan Succession

The War of the Mantuan Succession, 1628 to 1631, was caused by the death in December 1627 of Vincenzo II, last male heir from the House of Gonzaga, long-time rulers of Mantua and Montferrat. Their strategic importance led to a proxy war between the French-backed Duke of Nevers, and the Duke of Guastalla, supported by Spain. It is considered a related conflict of the 1618 to 1648 Thirty Years' War.

Fighting centred on the French-held fortress of Casale Monferrato, which the Spanish besieged twice. French intervention on behalf of Nevers in April 1629 led Emperor Ferdinand II to support Spain by transferring troops from Northern Germany. They captured Mantua in July 1630, but failed to take Casale. Ferdinand withdrew his troops in response to Swedish intervention in the Thirty Years' War, and both sides agreed a truce in October 1630.

↑ Return to Menu

Mantua in the context of List of the oldest newspapers

This list of the oldest newspapers sorts the newspapers of the world by the date of their first publication. The earliest newspapers date to 17th century Europe when printed periodicals began rapidly to replace the practice of hand-writing newssheets. The emergence of the new media branch has to be seen in close connection with the simultaneous spread of the printing press from which the publishing press derives its name. The oldest extant newspaper in the world still issued under its original title is the Gazzetta di Mantova, regularly published in Mantua, Italy, since 1664.

↑ Return to Menu

Mantua in the context of Hostilia

Ostiglia (Mantovano: Ustìlia) is a comune (municipality) in the Province of Mantua in the Italian region Lombardy, located about 160 km (99 mi) southeast of Milan and about 30 km (19 mi) southeast of Mantua.

↑ Return to Menu