Mannerist style in the context of "Art of Europe"

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⭐ Core Definition: Mannerist style

Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.

Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant. Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is notable for its highly florid style and intellectual sophistication.

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Mannerist style in the context of Pieter Isaacsz

Pieter Isaacsz (ca 1569, Helsingør – 14 September 1625) was a Danish court and portrait painter from Dutch origin who worked in a mannerist style on historical, biblical and mythological subjects. He was also a tapestry designer and art-dealer who spied for both the Netherlands, Denmark, and, eventually, for Sweden.

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