Manipuri Raas Leela in the context of Ching-Thang Khomba


Manipuri Raas Leela in the context of Ching-Thang Khomba

⭐ Core Definition: Manipuri Raas Leela

Manipuri dance, sometimes also referred to as the Manipuri Raas Leela (Meitei: Jagoi Raas/Raas Jagoi), is a jagoi and is one of the major Indian classical dance forms, originating from the state of Manipur. It is one of the Meitei intangible cultural heritage. The "Manipuri dance" is a confluence of four ritualistic traditions – Lai Haraoba, Huyen Langlon, Meitei Nata Sankirtana and Raaslila. Owing to the Meitei civilization, the classical dance form, first formally developed by Meitei Hindu king Ching Thang Khomba (Meitei for 'Rajarshi Bhagyachandra') of the Kingdom of Manipur, is considered to be the highest spiritual expression of the worship of Hindu deity Krishna. Owing to its huge influences on the diverse cultural heritages across the Indian subcontinent, it is recognised by the Sangeet Natak Akademi of the Ministry of Culture of the Government of India as one of the few primary classical dance forms of the Republic of India, and is honoured with the Sangeet Natak Akademi Award for Manipuri annually.It is referred to as the "national dance" during the Armenia-India joint issue of postage stamps, as a part of the Armenia-India international relations.

It is imbued with the devotional themes of Madhura Raas of Radha-Krishna and characterised by gentle eyes and soft peaceful body movements. The facial expressions are peaceful mostly expressing Bhakti Rasa or the emotion of devotion, no matter if a dancer is Hindu or not. The dance form is based on Hindu scriptures of Vaishnavism and is exclusively attached to the worship of Radha and Krishna. It is a portrayal of the dance of divine love of Krishna with goddess Radha and the cowherd damsels of Vrindavan, famously known as the Raas Leela.

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Manipuri Raas Leela in the context of Raslila

The Raslila (Sanskrit: रासलीला, romanizedRāsalīlā), also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj. Rasalila has also been a popular theme for other India classical dances including Bharatanatyam, Odissi, Manipuri Raas Leela, Kuchipudi, and Kathak.

The Indian classical dance of Kathak and Manipuri rasalila are evolved from the rasalila of Braj. Kathak, also known as Natwari Nritya, was revived in the 1960s by the Kathak dancer, Uma Sharma.

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Manipuri Raas Leela in the context of Indian classical dance

Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, the theory and practice of which can be traced to the Sanskrit text Natya Shastra.The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam. Additionally, the Indian Ministry of Culture includes Chhau in its list, recognising nine total styles. Scholars such as Drid Williams add Chhau, Yakshagana and Bhagavata Mela to the list. Each dance tradition originates and comes from a different state and/or region of India; for example, Bharatanatyam is from Tamil Nadu in the south of India, Odissi is from the east coast state of Odisha, and Manipuri is from the northeastern state of Manipur. The music associated with these different dance performances consists many compositions in Hindi, Malayalam, Meitei (Manipuri), Sanskrit, Tamil, Odia, Telugu, Assamese, and many other Indian-Subcontinent languages; they represent a unity of core ideas and a diversity of styles, costumes, and expression.

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Manipuri Raas Leela in the context of Rajarshi Bhagyachandra

Bhagya Chandra (also known as Ching-Thang Khomba and Jai Singh) (1748–1798) was a king of Manipur in the 18th century CE. He was the grandson of Gharib Niwaz and ruled Manipur for almost forty years (1759–1798). During his rule, he faced several invasions from the Burmese empire and went into exile, but eventually made peace with Burma.

Bhagya Chandra is known for spreading Vaishnavism in the Manipur state. He invented the Manipuri Raas Leela dance. His daughter (Shija Laioibi) played the role of Radha at the first performance and became a popular figure in Manipur.

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