Maithuna (Devanagari: मैथुन) is a Sanskrit term for sexual intercourse within Tantra (Tantric sex), or alternatively for the sexual fluids generated or the couple participating in the ritual. It is the most important of the Panchamakara and constitutes the main part of the grand ritual of Tantra also known as Tattva Chakra. Maithuna means the union of opposing forces, underlining the nonduality between human and divine, as well as worldly enjoyment (kama) and spiritual liberation (moksha). Maithuna is a popular icon in ancient Hindu art, portrayed as a couple engaged in physical loving.
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👉 Maithuna in the context of Erotic
Eroticism (from Ancient Greek ἔρως (érōs) 'love, desire' and -ism) is a quality that causes sexual feelings, as well as a philosophical contemplation concerning the aesthetics of sexual desire, sensuality, and romantic love. That quality may be found in any form of artwork, including painting, sculpture, photography, drama, film, music, or literature. It may also be found in advertising. The term may also refer to a state of sexual arousal or anticipation of such – an insistent sexual impulse, desire, or pattern of thoughts.
As French novelist Honoré de Balzac stated, eroticism is dependent not just upon an individual's sexual morality, but also the culture and time in which an individual resides.
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Maithuna in the context of Chhinnamasta
Chhinnamasta (Sanskrit: छिन्नमस्ता, Chinnamastā :"She whose head is severed"), often spelled Chinnamasta, and also called Chhinnamastika, Chhinnamasta Kali, Prachanda Chandika and Jogani Maa (in western states of India), is a Hindu goddess (Devi). She is one of the Mahavidyas, ten goddesses from the esoteric tradition of Tantra, and a ferocious aspect of Mahadevi, the Hindu Mother goddess. The self-decapitated nude goddess, usually standing or seated on a divine copulating couple, holding her own severed head in one hand and a scimitar in another. Three jets of blood spurt out of her bleeding neck and are drunk by her severed head and two attendants.
Chhinnamasta symbolises at same time these aspects of Devi: the life-giver, the life and a life-taker, described by her iconography (she is fed by using her own blood). She is considered both a symbol of sexual self-control and an embodiment of sexual energy, depending upon interpretation. She represents death, temporality, and destruction as well as life, immortality, and recreation. The goddess conveys spiritual self-realization and the awakening of the kundalini – spiritual energy. The legends of Chhinnamasta emphasise her self-sacrifice – sometimes coupled with a maternal element – sexual dominance, and self-destructive fury.