Maha Vishnu in the context of "Temples"

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⭐ Core Definition: Maha Vishnu

Mahavishnu (Sanskrit: महाविष्णु, romanizedMahāviṣṇu, lit.'Great Vishnu') is an aspect of Vishnu, the principal deity in Vaishnavism. In his capacity as Mahavishnu, the deity is known as the Supreme Purusha, the absolute protector and sustainer of the universe, the one who is beyond human comprehension, and all attributes.

The term Mahavishnu refers to the absolute truth, Brahman (impersonal invisible aspect) then as Paramatma (Aspect beyond the understanding of human soul), and finally as Sarvatma (incarnating for bringing perfection). Bhakti (loving devotion) is offered to Sarvatman (Krishna or Rama avatars or incarnations of Vishnu, Narayana bringing both peace and perfection of the living beings). In this way, bhakti surpasses even yoga, which is aimed at the Supersoul, Paramatman. Mahavishnu is the Supersoul of all living beings (jivatmas) in all material universes. Karanodaksayi Vishnu is understood to be Sankarsana (form) of the Chatur-vyuha of Narayaņa. It is also often used interchangeably with Vishnu to indicate reverence, as the prefix "Maha" in Vishnu indicates the greatness and the vastness of Narayana. All the deities that bear material form like Shiva and Brahma are considered as a grain of sand in the ocean of Mahavishnu's Vishvarupam.

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Maha Vishnu in the context of Temple

A temple (from the Latin templum) is a place of worship, a building used for spiritual rituals and activities such as prayer and sacrifice. By convention, the specially built places of worship for some religions are commonly called "temples" in English, while those of other religions are not, even though they fulfill very similar functions.

The religions for which the terms are used include the great majority of ancient religions that are now extinct, such as the Ancient Egyptian religion and the Ancient Greek religion. Among religions still active: Hinduism (whose temples are called mandir or kovil), Buddhism (whose temples are called vihara), Sikhism (whose temples are called gurudwara), Jainism (whose temples are sometimes called derasar), Zoroastrianism (whose temples are sometimes called agiary), the Baháʼí Faith (which are often simply referred to as Baháʼí House of Worship), Taoism (which are sometimes called daoguan), Shinto (which are often called jinja), Confucianism (which are sometimes called the Temple of Confucius).

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Maha Vishnu in the context of Paripāṭal

The Paripādal (Tamil: பரிபாடல், meaning the paripadal-metre anthology) is a classical Tamil poetic work and traditionally the fifth of the Eight Anthologies (Ettuthokai) in the Sangam literature. According to Tolkappiyam, Paripadal is a kind of verse dealing only with love (akapporul) and does not fall under the general classification of verses. It has a minimum of 25 lines and a maximum of 400 lines. It is an "akam genre", odd and hybrid collection which expresses love in the form of religious devotion (Bhakti) to gods and goddesses predominantly to Maha Vishnu and Murugan. According to Kamil Zvelebil, a Tamil literature and history scholar. This is the only anthology in the Eight Anthologies collection that is predominantly religious, though the other seven anthologies do contain occasional mentions and allusions to gods, goddesses and legends.

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