Macaroni (fashion) in the context of "Haute couture"

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⭐ Core Definition: Macaroni (fashion)

"Macaroni" (formerly spelled "maccaroni") was a pejorative term used to describe a fashionable fellow of 18th-century Britain. Stereotypically, men in the macaroni subculture dressed, spoke, and behaved in an unusually epicene and androgynous manner. The term "macaroni" pejoratively referred to a man who "exceeded the ordinary bounds of fashion" in terms of high-end clothing, fastidious eating, and gambling. He mixed Continental affectations with his British nature, like a practitioner of macaronic verse (which mixed English and Latin to comic effect), laying himself open to satire.

The macaronis became seen in stereotyped terms in Britain, being seen as a symbol of inappropriate bourgeois excess, effeminacy, and possible homosexuality – which was then legally viewed as sodomy. At the time, homosexuality was frowned upon, and was even punishable by death. Many modern critics view the macaroni as representing a general change in 18th-century British society such as political change, class consciousness, new nationalisms, commodification, and consumer capitalism. The macaroni was the Georgian era precursor to the dandy of the Regency and Victorian eras.

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Macaroni (fashion) in the context of Distinction (sociology)

In sociology, distinction is a social force whereby people use various strategies—consciously or not—to differentiate and distance themselves from others in society, and to assign themselves greater value in the process. In Distinction: A Social Critique of the Judgement of Taste (La Distinction, 1979), Pierre Bourdieu described how those in power define aesthetic concepts like "good taste", with the consequence that the social class of a person tends to predict and in fact determine his or her cultural interests, likes, and dislikes.

Political and socio-economic, racial and gender distinctions, based upon social class, are reinforced in daily life within society. In The Rebel Sell: Why the Culture Can't be Jammed (2004), Joseph Heath and Andrew Potter describe "distinction" as a social competition in which the styles of social fashion are in continual development, and that the men and women who do not follow the development of social trends soon become stale, and irrelevant to their social-class stratum.

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