Luttrell Psalter in the context of "Canticle"

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⭐ Core Definition: Luttrell Psalter

The Luttrell Psalter (British Library, Add MS 42130) is an illuminated psalter commissioned by Sir Geoffrey Luttrell (1276–1345), lord of the manor of Irnham in Lincolnshire, written and illustrated on parchment circa 1320–1340 in England by anonymous scribes and artists.

Along with the psalms (beginning on folio 13 r.), the Luttrell Psalter contains a calendar (1 r.), canticles (259 v.), the Mass (283 v.) and an antiphon for the dead (295 r.). The pages vary in their degree of illumination, but many are richly covered with both decorated text and marginal pictures of saints and Bible stories, and scenes of rural life. It is considered one of the richest sources for visual depictions of everyday rural life in medieval England, even though the last folio is now lost.

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Luttrell Psalter in the context of Women in the Middle Ages

Women in the Middle Ages in Europe occupied a number of different social roles. Women held the positions of wife, mother, peasant, warrior, artisan, and nun, as well as some important leadership roles, such as abbess or queen regnant. The very concept of women changed in a number of ways during the Middle Ages, and several forces influenced women's roles during this period, while also expanding upon their traditional roles in society and the economy. Whether or not they were powerful or stayed back to take care of their homes, they still played an important role in society whether they were saints, nobles, peasants, or nuns. Due to context from recent years leading to the reconceptualization of women during this time period, many of their roles were overshadowed by the work of men. Although it is prevalent that women participated in church and helping at home, they did much more to influence the Middle Ages.

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Luttrell Psalter in the context of Drolleries

A drollery, often also called a grotesque, is a small decorative image in the margin of an illuminated manuscript, most popular from about 1250 through the 15th century, though found earlier and later. The most common types of drollery images appear as mixed creatures, either between different animals, or between animals and human beings, or even between animals and plants or inorganic things. Examples include cocks with human heads, dogs carrying human masks, archers winding out of a fish's mouth, bird-like dragons with an elephant's head on the back. Often they have a thematic connection with the subject of the text of the page, and larger miniatures, and they usually form part of a wider scheme of decorated margins, though some are effectively doodles added later. The word comes from the French drôlerie, meaning a joke.

One manuscript, The Croy Hours, has so many it has become known as The Book of Drolleries. Another manuscript that contains many drolleries is the English Luttrell Psalter, which has hybrid creatures and other monsters on a great deal of the pages. This comes from the East Anglian school of illumination, which was especially fond of adding drolleries. The Taymouth Hours, Gorleston Psalter, and Smithfield Decretals are other examples; all four are 14th-century and now in the British Library. In the Taymouth Hours the images are inside the main frame given each page, and so are strictly bas de page images rather than being "marginal". The images mix sacred subjects relevant to the text with secular ones that are not. Such images are the most plentiful sources of contemporary illustrations of ordinary life in the period, and many are often seen reproduced in modern books.

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