Lutheran art in the context of "Baroque period"

The Baroque (UK: /bəˈrɒk/ bə-ROK, US: /bəˈroʊk/ bə-ROHK, French: [baʁɔk]) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well.

The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, it had evolved into an even more flamboyant style, called rocaille or Rococo, which appeared in France and Central Europe until the mid to late 18th century. In the territories of the Spanish and Portuguese Empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century.

High church Lutheranism is a movement that began in 20th-century Europe and emphasizes worship practices and doctrines that emphasize the sacraments and liturgy, along with a robust devotional life. In the more general usage of the term, it describes the general high church characteristics of Lutheranism in Nordic and Baltic countries such as Sweden, Finland, Estonia and Latvia. The mentioned countries have more markedly preserved pre-Reformation, Catholic traditions and eschewed Reformed theology. From the earliest part of its development, Lutheranism as a whole has employed elaborate liturgies and ornate sacred art. Lutheranism has viewed its faith and practice as "deeply and fundamentally catholic". It is closely related to the concept of Evangelical Catholicism, which emphasizes the catholicity of Lutheranism.

The Frauenkirche (IPA: [ˈfʁaʊənˌkɪʁçə], Church of Our Lady) is a Lutheran church in Dresden, the capital of the German state of Saxony. Destroyed during the Allied firebombing of Dresden towards the end of World War II, the church was reconstructed between 1994 and 2005.

The current structure is the third church building to stand at this site. The earliest was founded as a Catholic church before being converted to Protestantism during the Reformation. It was replaced in the 18th century by a larger Baroque purpose-built Lutheran building. When its foundation stone was laid on 26 August 1726, it contained a copy of the Augsburg Confession which is primary confession of faith of the Evangelical Lutheran Church. Considered an outstanding example of Protestant sacred architecture, it featured one of the largest domes in Europe. It was originally built as a sign of the will of the citizens of Dresden to remain Protestant after their ruler had converted to Catholicism. Having been reconstructed, it now also serves as a symbol of reconciliation between former warring enemies.