Ludwig I of Bavaria in the context of "Fürth"

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⭐ Core Definition: Ludwig I of Bavaria

Ludwig I or Louis I (German: Ludwig I.; 25 August 1786 – 29 February 1868) was King of Bavaria from 1825 until the 1848 revolutions in the German states. When he was crown prince, he was involved in the Napoleonic Wars. As king, he encouraged Bavaria's industrialization, initiating the Ludwig Canal between the rivers Main and the Danube. In 1835, the first German railway was constructed in his domain, between Fürth and Nuremberg, with his Bavaria joining the Zollverein economic union in 1834. After the July Revolution of 1830 in France, Ludwig's previous liberal policy became increasingly repressive; in 1844, Ludwig was confronted during the Beer riots in Bavaria. During the revolutions of 1848 he faced increasing protests and demonstrations by students and the middle classes. On 20 March 1848, he abdicated in favour of his eldest son, Maximilian.

Ludwig lived another 20 years after his abdication and remained influential. An admirer of ancient Greece and the Italian Renaissance, he patronized the arts and commissioned several neoclassical buildings, especially in Munich. He was an avid collector of arts, amassing paintings from the Early German and Early Dutch periods as well as Graeco-Roman sculptures.

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Ludwig I of Bavaria in the context of Leo von Klenze

Leo von Klenze (born Franz Karl Leopold von Klenze; 29 February 1784 – 26 January 1864) was a German architect and painter. He was the court architect of Ludwig I of Bavaria.

Von Klenze was a devotee of Neoclassicism and one of the most prominent representatives of Greek Revival style.

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Ludwig I of Bavaria in the context of Glyptothek

The Glyptothek (German: [ɡlʏptoˈteːk] ) is a museum in Munich, Germany, which was commissioned by the Bavarian King Ludwig I to house his collection of Greek and Roman sculptures (hence γλυπτο- glypto- "sculpture", from the Greek verb γλύφειν glyphein "to carve" and the noun θήκη "container"). It was designed by Leo von Klenze in the neoclassical style, and built from 1816 to 1830. Today the museum is a part of the Kunstareal.

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Ludwig I of Bavaria in the context of Belly Amphora by the Andokides Painter (Munich 2301)

The Belly Amphora in the Staatliche Antikensammlungen at Munich (inventory number 2301) is one of the most famous works by the Andokides Painter. The vase measures 53.5 cm high and 22.5 cm in diameter. It dates to between 520 and 510 BC and was discovered at Vulci. It was acquired by Martin von Wagner, an agent of Ludwig I of Bavaria.

As a bilingual vase, it is an important archaeological source for the transition from Attic black-figure pottery to the red-figure style. Bilingual vases are uncommon, and ones that repeat the same subject in the two styles are vanishingly rare; the vase is therefore very often used to illustrate the differences between the two techniques. It is signed by the potter Andokides, who probably made it. Some scholars assume that the black-figure side was painted by the Lysippides Painter, while others suggest that he is identical with the Andokides Painter.

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Ludwig I of Bavaria in the context of Ruhmeshalle

The Ruhmeshalle (German pronunciation: [ˈʁuːməsˌhalə], lit.'Hall of Fame') is a Doric colonnade with a main range and two wings, designed by Leo von Klenze for Ludwig I of Bavaria. Built in 1853, it is situated on an ancient ledge above the Theresienwiese in Munich and was built as part of a complex which also includes the Bavariapark and the Bavaria statue. It is built of Kelheim limestone and is 68 metres long and 32 metres deep.

With the construction and exhibition of busts of important people from Bavaria, including the Palatinate, Franconia and Swabia, King Ludwig intended to create a hall of fame that honors laudable and distinguished people of his kingdom, as he did also in the Walhalla memorial for all of Germany.

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Ludwig I of Bavaria in the context of Feldherrnhalle

The Feldherrnhalle ("Field Marshals' Hall") is a monumental loggia on the Odeonsplatz in Munich, Germany. Modelled after the Loggia dei Lanzi in Florence, it was commissioned in 1841 by King Ludwig I of Bavaria to honour the tradition of the Bavarian Army.

In 1923, it was the site of the brief battle that ended Hitler's Beer Hall Putsch. During the Nazi era, it served as a monument commemorating the deaths of the 15 Nazis and one bystander killed during the revolt.

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Ludwig I of Bavaria in the context of Ludwig Maximilian University of Munich

The Ludwig Maximilian University of Munich, commonly referred to as the University of Munich, is a public research university in Munich, Bavaria, Germany. Originally established as the University of Ingolstadt in 1472 by Duke Ludwig IX of Bavaria-Landshut, it is Germany's sixth-oldest university in continuous operation.

In 1800, the university was moved from Ingolstadt to Landshut by King Maximilian I Joseph of Bavaria when the city was threatened by the French, before being transferred to its present-day location in Munich in 1826 by King Ludwig I of Bavaria. In 1802, the university was officially named Ludwig-Maximilians-Universität by King Maximilian I of Bavaria in honor of himself and Ludwig IX.

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Ludwig I of Bavaria in the context of Ludwigshafen

Ludwigshafen, officially Ludwigshafen am Rhein (German pronunciation: [ˈluːtvɪçsˌhaːfn̩ ʔam ˈʁaɪn] ; meaning "Ludwig's Port upon the Rhine"; Palatine German: Ludwichshafe or Lumpehafe), is a city in the German state of Rhineland-Palatinate, on the river Rhine (Upper Rhine), opposite Mannheim. With Mannheim, Heidelberg, and the surrounding region, it forms the Rhine-Neckar Metropolitan Region.

Known primarily as an industrial city, Ludwigshafen is home to BASF, the world's largest chemical producer, and other companies. Among its cultural facilities are the Staatsphilharmonie Rheinland-Pfalz.

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Ludwig I of Bavaria in the context of Walhalla (memorial)

The Walhalla (German pronunciation: [valˈhala] ) is a hall of fame monument in Bavaria that honours laudable and distinguished people in German history – "politicians, sovereigns, scientists and artists of the German tongue"; While all new inductees since 1890 have been Germans or German-speakers, several earlier honorees came from outside modern Germany, which had not yet been established when the monument was built. Their inclusion reflects a 19th-century, still evolving, more loosely defined concept of "Germanness", one that would today be seen as conflating the term "German" with the much broader notion of having spoken a Germanic language or being of partial or supposed German ancestry.

The Walhalla memorial is named for the Valhǫll of Norse Paganism. It was conceived in 1807 by Crown Prince Ludwig I of Bavaria in order to support the gathering momentum for the unification of the many German states into the German Empire. Following his accession to the throne of Bavaria, construction took place between 1830 and 1842 under the supervision of the architect Leo von Klenze. The memorial displays some 65 plaques and 130 busts covering 2,000 years of history, beginning with Arminius, victor at the Battle of the Teutoburg Forest in the year 9 AD.

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Ludwig I of Bavaria in the context of Bavaria statue

Bavaria is the name given to a monumental, bronze sand-cast 19th-century statue in Munich, southern Germany. It is a female personification of the Bavarian homeland, and by extension its strength and glory.

The statue is part of an ensemble which also includes a hall of fame (Ruhmeshalle) and a stairway. It was commissioned by Ludwig I of Bavaria, with the specific design being chosen by competition. It was cast at the Munich foundry of J.B. Stiglmair between 1844 and 1850 and is the first colossal statue since Classical Antiquity to consist entirely of cast bronze. It was and is up to the present day considered a technological masterpiece. Because of its size it had to be produced in several parts; it is 18.52 metres (60 ft. 9 in.) high and weighs about 87.36 tons. It rests on a stone base which is 8.92 (28 ft.) metres high.

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