Ludvig Holberg in the context of Lille Grønnegade Theatre

Sorø Academy (Danish: Sorø Akademi) is a boarding school and gymnasium located in the small town of Sorø, Denmark. It traces its history back to the 12th century when Bishop Absalon founded a monastery at the site, which was confiscated by the Crown after the Reformation, and ever since, on and off, it has served as an educational institution, in a variety of forms, including as a knight academy founded by Christian IV and a venue for higher learning during the Danish Golden Age. Danish-Norwegian writer and academian Ludvig Holberg bequested most of his fortune to re-establishing the academy in 1750 after a devastating fire.

The Hamburg Enterprise (German: Hamburgische Entreprise), commonly known as the Hamburg National Theatre, was a theatre company in Hamburg (now Germany), that existed 1767–1769 at the Gänsemarkt square, and that was led by Abel Seyler. It was the first attempt to establish a national theatre in Germany. It was modelled after Det Kongelige Teater, founded by Ludvig Holberg in Denmark in 1748. Its leading actor was Konrad Ekhof and the theatre employed Gotthold Ephraim Lessing as the world's first dramaturg; Lessing's influential Hamburg Dramaturgy, based on his work at the Hamburg National Theatre, defined the new field of dramaturgy and also introduced the term. The theatre premiered Lessing's Minna von Barnhelm on 30 September 1767.

The Hamburg National Theatre was mainly owned and led by the former banker Abel Seyler, who invested much of his remaining fortune in the enterprise after suffering "a sensational bankruptcy for an enormous sum" shortly before. The Hamburg National Theatre had to close in 1769 when Seyler's money had run out after two years of lavish spending. The enterprise was effectively succeeded by the Seyler Theatre Company. Seyler would also later retain the vision of a "national theatre" during his work in Mannheim.

Abel Seyler (23 August 1730, Liestal – 25 April 1800, Rellingen) was a Swiss-born theatre director and former merchant banker, who was regarded as one of the great theatre principals of 18th century Europe. He played a pivotal role in the development of German theatre and opera, and was considered "the leading patron of German theatre" in his lifetime. He supported the development of new works and experimental productions, helping to establish Hamburg as a center of theatrical innovation and to establish a publicly funded theater system in Germany. Working with some of Germany's foremost actors and playwrights of his era, he is credited with pioneering a new more realist style of acting, introducing Shakespeare to a German language audience, and with promoting the concept of a national theatre in the tradition of Ludvig Holberg, the Sturm und Drang playwrights, and serious German opera, becoming the "primary agent for change in the German opera scene" in the late 18th century. Already in his lifetime, he was described as "one of German art's most meritorious men."

The son of a Basel Reformed priest, Seyler moved to London and then to Hamburg as a young adult, and established himself as a merchant banker in the 1750s. During the Seven Years' War and its immediate aftermath his bank Seyler & Tillemann engaged in an ever-increasing and complex, "malicious" speculation with financial instruments and went spectacularly bankrupt with enormous debts in the wake of the Amsterdam banking crisis of 1763, resulting in a decade of expansive litigation. Although they were wealthy bankers, Seyler and his business partner were "in no way representatives of the Hamburg bourgeoisie." A flamboyant bon vivant who was regarded with suspicion in Hamburg, Seyler symbolized a new and more aggressive form of capitalism.

The Holberg Prize is an international prize awarded annually by the government of Norway to outstanding scholars for work in humanities, social sciences, law and theology, either within one of these fields or through interdisciplinary work. The prize is named after the Danish-Norwegian writer and academic Ludvig Holberg (1684–1754). The Holberg Prize comes with a monetary award of 6 million Norwegian kroner (NOK), which are intended to be used to further the research of the recipient. The winner of the Holberg Prize is announced in March, and the award ceremony takes place every June in Bergen, Norway.

According to a reputation survey conducted in 2018, the Holberg Prize is the most prestigious interdisciplinary award in the social sciences (jointly with the Stein Rokkan Prize for Comparative Social Science Research).

Danish literature (Danish: Dansk litteratur) stretches back to the Middle Ages. The earliest preserved texts from Denmark are runic inscriptions on memorial stones and other objects, some of which contain short poems in alliterative verse. In the late 12th century Saxo Grammaticus wrote Gesta Danorum. During the 16th century, the Lutheran Reformation came to Denmark. During this era, Christiern Pedersen translated the New Testament into Danish and Thomas Kingo composed hymns. Fine poetry was created in the early 17th century by Anders Arrebo (1587–1637). The challenges faced during Denmark's absolute monarchy in 1660 are chronicled in Jammersminde (Remembered Woes) by Leonora Christina of the Blue Tower. Ludvig Holberg (1684–1754), influenced by the ideas of the Enlightenment and Humanism, is considered the founder of modern Danish and Norwegian literature. Neoclassical poetry, drama, and the essay flourished during the 18th century influenced by French and English trends. German influence is seen in the verse of the leading poets of the late 18th century such as Johannes Ewald and Jens Baggesen. Other 18th century writers include the hymn writer Hans Adolph Brorson and the satirical poet Johan Herman Wessel.

During Denmark's Golden Age (1800–1850), literature centred on Romantic thinking, with authors such as philosopher Henrik Steffens (1773–1845) and the poet Bernhard Severin Ingemann (1789–1862). One of the most important figures in Danish literary culture was Nikolaj Grundtvig (1783–1872). Hans Christian Andersen (1805–1875) is remembered first and foremost for his fairy tales, written between 1835 and 1872. Søren Kierkegaard (1813–1855) was an existentialist philosopher and a theologian. Jens Peter Jacobsen (1847–1885) began the naturalist movement in Denmark with his romantic, melancholic poems. The Modern Breakthrough was a Scandinavian movement influenced by naturalism towards the end of the 19th century (1870–1890), led by Georg Brandes (1842–1927). Other writers include Holger Drachmann (1846–1908), Herman Bang (1857–1912), and Sophus Schandorph (1836–1901).

Norwegian literature is literature composed in Norway or by Norwegian people. The history of Norwegian literature starts with the pagan Eddaic poems and skaldic verse of the 9th and 10th centuries with poets such as Bragi Boddason and Eyvindr Skáldaspillir. The arrival of Christianity around the year 1000 brought Norway into contact with European medieval learning, hagiography and history writing. Merged with native oral tradition and Icelandic influence, this was to flower into an active period of literature production in the late 12th and early 13th centuries. Major works of that period include Historia Norwegie, Thidreks saga and Konungs skuggsjá.

The period from the 14th century to the 19th is considered a Dark Age in the nation's literature though Norwegian-born writers such as Peder Claussøn Friis, Dorothe Engelbretsdatter and Ludvig Holberg contributed to the common literature of Denmark–Norway. With the advent of nationalism and the struggle for independence in the early 19th century, a new period of national literature emerged. In a flood of nationalistic romanticism, the great four emerged: Henrik Ibsen, Bjørnstjerne Bjørnson, Alexander Kielland, and Jonas Lie. The dramatist Henrik Wergeland was the most-influential author of the period while the later works of Henrik Ibsen were to earn Norway a key place in Western European literature.