Luck of Edenhall in the context of "Islamic glass"

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⭐ Core Definition: Luck of Edenhall

The "Luck of Edenhall" is an enamelled glass beaker that was made in Syria or Egypt in the middle of the 14th century, elegantly decorated with arabesques in blue, green, red and white enamel with gilding. It is now in the Victoria and Albert Museum in London and is 15.8 cm high and 11.1 cm wide at the brim. It had reached Europe by the 15th century, when it was provided with a decorated stiff case in boiled leather with a lid, which includes the Christian IHS; this no doubt helped it to survive over the centuries.

The beaker is now known to be an exceptionally fine and pristine example of 14th-century luxury Islamic glass. The antiquity of the legend surrounding it has not been determined. A number of rare objects owned by families in the North of England were known as "lucks"; the glass is first documented, and named as the "Luck of Edenhall", in 1677 in the will of Sir Philip Musgrave.

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Luck of Edenhall in the context of Enamelled glass

Enamelled glass or painted glass is glass which has been decorated with vitreous enamel (powdered glass, usually mixed with a binder) and then fired to fuse the glasses. It can produce brilliant and long-lasting colours, and be translucent or opaque. Unlike most methods of decorating glass, it allows painting using several colours, and along with glass engraving, has historically been the main technique used to create the full range of image types on glass.

All proper uses of the term "enamel" refer to glass made into some flexible form, put into place on an object in another material, and then melted by heat to fuse them with the object. It is called vitreous enamel or just "enamel" when used on metal surfaces, and "enamelled" overglaze decoration when on pottery, especially on porcelain. Here the supporting surface is glass. All three versions of the technique have been used to make brush-painted images, which on glass and pottery are the normal use of the technique.

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