Lucas Cranach the Elder in the context of "German Renaissance"

The Ages of Man are the historical stages of human existence according to Greek mythology and its subsequent Roman interpretation.

Both Hesiod and Ovid offered accounts of the successive ages of humanity, which tend to progress from an original, long-gone age in which humans enjoyed a nearly divine existence to the current age of the writer, in which humans are beset by innumerable pains and evils. In the two accounts that survive from Ancient Greece and Rome, this degradation of the human condition over time is indicated symbolically with metals of successively decreasing value, yet increasing hardness.

Eastern Lutheranism (also known as Byzantine Lutheranism or Byzantine Rite Lutheranism) refers to Eastern Protestant Lutheran churches, such as those of Ukraine and Slovenia, that use a form of the Byzantine Rite as their liturgy. It is unique in that it is based on the Eastern Christian rite used by the Eastern Orthodox Church, while incorporating theology from the Divine Service contained in the Formula Missae, the base texts for Lutheran liturgics in the West.

Eastern Lutherans use the Julian calendar for the calendar and thus observe feast days and liturgical seasons, such as Great Lent, in a fashion similar to Orthodox customs. As such, many Byzantine Lutheran holy days are shared with those of the Eastern Orthodox Church; in addition, Eastern Lutheran churches are constructed in accordance with Byzantine architecture. Posture during worship, such as bowing, is identical to that in other parts of Eastern Christianity. Within Byzantine Rite Lutheranism, the calendar of saints includes persons esteemed in Eastern Christianity, such as John Chrysostom and Nestor the Chronicler, as well as those specific to the Lutheran Church, such as Lucas Cranach the Elder and Martin Luther.

In society, the term low culture identifies the forms of popular culture that have mass appeal, often broadly appealing to the middle or lower cultures of any given society. This is in contrast to the forms of high culture that appeal to a smaller, often upper-class proportion of the populace. Culture theory proposes that both high culture and low culture are subcultures within a society, because the culture industry mass-produces each type of popular culture for every socioeconomic class. Despite being viewed as characteristic of less-educated social classes, low culture is still often enjoyed by upper classes as well. This makes the content that falls under this categorization the most broadly consumed kind of media in a culture overall.

Various forms of low culture can be found across a variety of cultures, with the physical objects composing these mediums often being constructed from less expensive, perishable materials. The phrase low culture has come to be viewed by some as a derogatory idea in and of itself, existing to put down elements of pop or tribal culture that others may deem to be "inferior."

In Christianity and Judaism, the tree of the knowledge of good and evil (Tiberian Hebrew: עֵץ הַדַּעַת טוֹב וָרָע, romanized: ʿēṣ haddaʿaṯ ṭōḇ wārāʿ, [ʕesˤ hadaʕaθ tˤov wɔrɔʕ]; Latin: Lignum scientiae boni et mali) is one of two specific trees in the story of the Garden of Eden in Genesis 2–3, along with the tree of life. Alternatively, some scholars have argued that the tree of the knowledge of good and evil is just another name for the tree of life.

A cabinet (also known by other terms) was a private room in the houses and palaces of early modern Europe serving as a study or retreat, usually for a man. The cabinet would be furnished with books and works of art, and sited adjacent to his bedchamber, the equivalent of the Italian Renaissance studiolo. In the Late Medieval period, such newly perceived requirements for privacy had been served by the solar of the English gentry house, and a similar, less secular purpose had been served by a private oratory.

Such a room might be used as a study or office, or just a sitting room. Heating the main rooms in large palaces or mansions in the winter was difficult, and small rooms were more comfortable. They also offered more privacy from servants, other household members, and visitors. Typically such a room would be for the use of a single individual, so that a house might have at least two (his and hers) and often more. Names varied: cabinet, closet, study (from the Italian studiolo), office, and a range of more specifically female equivalents, such as a boudoir.

Portrait of Martin Luther may refer to any oil painting from a series of portrayals of Martin Luther by Lucas Cranach the Elder. That artist and his studio produced countless painted and printed portraits of Luther and it is often difficult to determine to what extent the paintings are autograph works. They often formed a diptych with a portrait of Luther's wife Katharina von Bora or his close associate Philipp Melanchthon.

Cranach was a close friend and follower of Luther who was also active in Wittenberg. In addition to the portraits, Cranach also produced designs for the woodcuts for the first edition of the reformer's German translation of the New Testament in 1522. Otherwise, however, his choice of motifs cannot be said to have been influenced by his Lutheran faith. He painted mythological and biblical motifs, images of saints and executed many portraits – even of religious opponents such as Cardinal Albert of Brandenburg.

Lucas Cranach the Younger (German: Lucas Cranach der Jüngere, IPA: [ˈluːkas ˈkʁaːnax deːɐ̯ ˈjʏŋəʁə]; 4 October 1515 – 25 January 1586) was a German Renaissance painter and portraitist, the son of Lucas Cranach the Elder and brother of Hans Cranach.