Louis Henry Sullivan (September 3, 1856 – April 14, 1924) was an American architect, and has been called a "father of skyscrapers" and "father of modernism". He was an influential architect of the Chicago School, a mentor to Frank Lloyd Wright, and an inspiration to the Chicago group of architects who have come to be known as the Prairie School. Along with Wright and Henry Hobson Richardson, Sullivan is one of "the recognized trinity of American architecture." The phrase "form follows function" is attributed to him; it encapsulated earlier theories of architecture and he applied them to the modern age of the skyscraper. In 1944, Sullivan was the second architect to posthumously receive the AIA Gold Medal.
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👉 Louis Sullivan in the context of Prairie School
Prairie School is a late 19th and early 20th-century architectural style, most common in the Midwestern United States. The style is usually marked by horizontal lines, flat or hipped roofs with broad overhanging eaves, windows grouped in horizontal bands, integration with the landscape, and solid construction and craftsmanship. It reflects discipline in the use of ornament, which was often inspired by organic growth and seen carved into wood, stenciled on plaster, in colored glass, veined marble, and prints or paintings with a general prevalence of earthy, autumnal colors. Spaciousness and continuous horizontal lines were thought to evoke and relate to the wide, flat, treeless expanses of America's native prairie landscape, and decoration often depicted prairie wildlife, sometimes with indigenous materials contributing to a sense of the building belonging to the landscape.
The Prairie School sought to develop an indigenous North American style of architecture, distinguishing it from historical revivals that were popular at the time. It shared many ideals and design aesthetics of the Arts and Crafts Movement, though it embraced the machine and also shared ideals with modernist movements. Many architects were also part of the Chicago School, but Prairie School buildings were seen less in the commercial skyscrapers of Chicago and more in the suburban residences, though the style can be seen in throughout a variety of building types, including banks, schools, and churches. Japanese architecture and prints, interests of Frank Lloyd Wright in particular, inspired the focus on simplicity and openness in addition to the prairie landscape.
In this Dossier
- ⭐ Core Definition: Louis Sullivan
- 👉 Louis Sullivan in the context of Prairie School
- Louis Sullivan in the context of Architecture
- Louis Sullivan in the context of Form follows function
- Louis Sullivan in the context of Eugène Viollet-le-Duc
- Louis Sullivan in the context of Henry Hobson Richardson
- Louis Sullivan in the context of Wainwright Building
Louis Sullivan in the context of Architecture
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.
The practice, which began in the prehistoric era, has been used as a way of expressing culture by civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century BC treatise De architectura by the Roman architect Vitruvius, according to whom a good building embodies firmitas, utilitas, and venustas (durability, utility, and beauty). Centuries later, Leon Battista Alberti developed his ideas further, seeing beauty as an objective quality of buildings to be found in their proportions. In the 19th century, Louis Sullivan declared that "form follows function". "Function" began to replace the classical "utility" and was understood to include not only practical but also aesthetic, psychological, and cultural dimensions. The idea of sustainable architecture was introduced in the late 20th century.
Louis Sullivan in the context of Form follows function
Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the appearance and structure of a building or object (architectural form) should primarily relate to its intended function or purpose.
Louis Sullivan in the context of Eugène Viollet-le-Duc
Eugène Emmanuel Viollet-le-Duc (French: [øʒɛn vjɔlɛ lə dyk]; 27 January 1814 – 17 September 1879) was a French architect and author, famous for his restoration of the most prominent medieval landmarks in France. His major restoration projects included Notre-Dame de Paris, the Basilica of Saint Denis, Mont Saint-Michel, Sainte-Chapelle, the medieval walls of the city of Carcassonne, and Château de Roquetaillade in the Bordeaux region.
His writings on decoration and on the relationship between form and function in architecture had a fundamental influence on a whole new generation of architects, including all the major Art Nouveau artists: Antoni Gaudí, Victor Horta, Hector Guimard, Henry van de Velde, Henri Sauvage and the École de Nancy, Paul Hankar, Otto Wagner, Eugène Grasset, Émile Gallé, and Hendrik Petrus Berlage. He also influenced the first modern architects, Frank Lloyd Wright, Mies van der Rohe, Auguste Perret, Louis Sullivan, and Le Corbusier, who considered Viollet-le-Duc as the father of modern architecture. English architect William Burges claimed that "We all cribbed on Viollet-le-Duc even though no one could read French".
Louis Sullivan in the context of Henry Hobson Richardson
Henry Hobson Richardson, FAIA (September 29, 1838 – April 27, 1886) was an American architect, best known for his work in a style derived from Romanesque Revival that became known as Richardsonian Romanesque. Along with Louis Sullivan and Frank Lloyd Wright, Richardson is one of "the recognized trinity of American architecture."
Louis Sullivan in the context of Wainwright Building
The Wainwright Building (also known as the Wainwright State Office Building) is a 10-story, 41 m (135 ft) terra cotta office building at 709 Chestnut Street in downtown St. Louis, Missouri. The Wainwright Building is considered to be one of the first aesthetically fully expressed early skyscrapers. It was designed by Dankmar Adler and Louis Sullivan and built between 1890 and 1891. It was named for local brewer, building contractor, and financier Ellis Wainwright.
The building, listed as a landmark both locally and nationally, is described as "a highly influential prototype of the modern office building" by the National Register of Historic Places. Architect Frank Lloyd Wright called the Wainwright Building "the very first human expression of a tall steel office-building as Architecture."