Louis-Léopold Boilly (French pronunciation: [lwi leɔpɔl(d) bwɑji] ; 5 July 1761 – 4 January 1845) was a French painter and draftsman. A creator of popular portrait paintings, he also produced a vast number of genre paintings documenting French middle-class social life. His life and work spanned the eras of monarchical France, the French Revolution, the Napoleonic Empire, the Bourbon Restoration and the July Monarchy. His 1800 painting Un Trompe-l'œil introduced the term trompe-l'œil ("trick the eye"), applied to the technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, though the "unnamed" technique itself had existed in Greek and Roman times.
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👉 Louis-Léopold Boilly in the context of Levée en masse
Levée en masse (French pronunciation: [ləve ɑ̃ mɑs] or, in English, mass levy) is a French term used for a policy of mass national conscription, often in the face of invasion. The concept originated during the French Revolutionary Wars, particularly for the period following 16 August 1793, when able-bodied men aged 18 to 25 were conscripted. The concept of mass conscription was kept in place during the Napoleonic Wars. The term is also applied to other historical examples of mass conscription.
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Louis-Léopold Boilly in the context of Hôtel Carnavalet
The Musée Carnavalet (French pronunciation: [myze kaʁnavalɛ]; English: Carnavalet Museum) in Paris is dedicated to the history of the city. The museum occupies two neighboring mansions: the Hôtel Carnavalet and the former Hôtel Le Peletier de Saint Fargeau. On the advice of Baron Haussmann, the civil servant who transformed Paris in the latter half of the 19th century, the Hôtel Carnavalet was purchased by the Municipal Council of Paris in 1866; it was opened to the public in 1880. By the latter part of the 20th century, the museum was full to capacity. The Hôtel Le Peletier de Saint Fargeau was annexed to the Carnavalet and opened to the public in 1989.
The building, a historic monument from the 16th century, contains furnished rooms from different periods of Paris history, historic objects, and a very large collection of paintings of Paris life; it features works by artists including Joos Van Cleve, Frans Pourbus the Younger, Jacques-Louis David, Hippolyte Lecomte, François Gérard, Louis-Léopold Boilly, and Étienne Aubry, to Tsuguharu Foujita, Louis Béroud, Jean Béraud, Carolus Duran, Jean-Louis Forain, Pierre Puvis de Chavannes, Johan Barthold Jongkind, Henri Gervex, Alfred Stevens, Paul Signac, and Simon-Auguste. They depict the city's history and development, and its notable characters.
Louis-Léopold Boilly in the context of Contempt
In colloquial usage, contempt usually refers to either the act of despising, or having a general lack of respect for something. This set of emotions generally produces maladaptive behaviour. Other authors define contempt as a negative emotion rather than the constellation of mentality and feelings that produce an attitude. Paul Ekman categorises contempt as the seventh basic emotion, along with anger, disgust, fear, happiness, sadness and surprise. Robert C. Solomon places contempt on the same emotional continuum as resentment and anger, and he argues that the differences between the three are that resentment is anger directed towards a higher-status individual; anger is directed towards an equal-status individual; and contempt is anger directed towards a lower-status individual.
Louis-Léopold Boilly in the context of Jacques François Joseph Swebach-Desfontaines
Jacques François Joseph Swebach-Desfontaines, known as Fontaine (19 March 1769, Metz - 10 December 1823, Paris) was a French painter and designer. He is best known for his genre and battle scenes.