Lou Thesz in the context of "Billy Robinson"

Shoot wrestling is a Japanese hybrid grappling style and combat sport. Shoot wrestling incorporates techniques from various wrestling, submission grappling, kickboxing and karate styles. It was particularly inspired and influenced by catch wrestling, a form of wrestling with submissions that was the predominant style of professional wrestling in the 19th and early 20th century, at the time a legitimate competitive sport and not yet predetermined.

Shoot wrestling originated in Japan's professional wrestling circuit (puroresu) of the 1970s, particularly stemming from the influence of wrestlers Karl Gotch, Lou Thesz and Billy Robinson, all who had an enduring popularity in Japan due to their serious submission wrestling style. Professional wrestlers of that era attempted to use more realistic or even "full contact" moves in their matches to increase their excitement, diminishing or eschewing the theatrical elements and acrobatics, looking more similar to an actual, unscripted fight. The name "shoot wrestling" comes from the professional wrestling term "shoot", which refers to any unscripted occurrence within a scripted wrestling event.

Charles Istaz (August 3, 1924 – July 28, 2007), known by the ring name Karl Gotch (カール・ゴッチ, Kāru Gotchi), was a Belgian amateur wrestler, catch wrestler, professional wrestler, and wrestling coach. Considered one of the most influential wrestlers of his time period, he is best known for training several acclaimed and influential professional wrestlers in Japan, and for becoming a catalyst in the faculty development of Strong style, alongside New Japan Pro-Wrestling founder Antonio Inoki and fellow trainer Billy Robinson.

Gotch represented Belgium at the 1948 Summer Olympics in both freestyle and Greco-Roman wrestling. He learned catch-as-catch-can and professional wrestling at the Snake Pit under Billy Riley and Billy Joyce. He was given the ring name "Gotch" by Ohio promoter Al Haft in honor of American wrestler Frank Gotch. In Japan, he became known as a "God of Wrestling" alongside Billy Robinson and Lou Thesz, due to their collective influence on Japanese professional wrestling.