Lorenzo di Credi in the context of "Verrocchio"

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⭐ Core Definition: Lorenzo di Credi

Lorenzo di Credi (1456/59 – January 12, 1537) was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects, and portraits. With some excursions to nearby cities, his whole life was spent in Florence. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci, who seems to have influenced his style considerably.

He trained with Verrocchio, and became his principal assistant, inheriting the workshop after his master's death in 1488, when Lorenzo was still in his twenties. He largely continued his master's style, working until at least the 1520s, by which time he was becoming rather old-fashioned. He does not seem to have painted frescos himself, although his workshop may have done so. Vasari says that he avoided large paintings of all sorts, preferring to create smaller works with a meticulous finish.

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Lorenzo di Credi in the context of Andrea del Verrocchio

Andrea del Verrocchio (/vəˈrki/ və-ROH-kee-oh, US also /-ˈrɔːk-/ -⁠RAW-, Italian: [anˈdrɛːa del verˈrɔkkjo]; born Andrea di Michele di Francesco de' Cioni; c. 1435 – 1488) was an Italian sculptor, painter and goldsmith who was a master of a workshop in Florence. He was the teacher of Leonardo da Vinci, with whom he painted the Baptism of Christ.

He became known as Verrocchio after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but his pupils also included Pietro Perugino and Lorenzo di Credi. His was a sculptor and sculpted the Equestrian statue of Bartolomeo Colleoni in Venice.

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Lorenzo di Credi in the context of Ginevra de' Benci (aristocrat)

Ginevra de' Benci (1457–1521) was a member of the Benci family in Florence and is the subject of an early portrait by Leonardo da Vinci.

Ginevra was born into a family of wealthy Florentine merchants in 1457. The Benci had business dealings with the Medici and were noted humanists themselves, patronizing artists and writers and creating an important library of classical texts. In 1474 she married Luigi de Bernardo Niccolini. Bernardo Bembo, Lorenzo de' Medici, Alessandro Braccesi, and Christoforo Landino dedicated poems to her.

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