Loom in the context of "Hank (textile)"

Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth.Cloth is usually woven on a loom, a device that holds warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth (warp threads with a weft thread winding between) can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.

The way the warp and filling threads interlace with each other is called the weave. The majority of woven products are created with one of three basic weaves: plain weave, satin weave, or twill weave. Woven cloth can be plain or classic (in one colour or a simple pattern), or can be woven in decorative or artistic design.

Woven fabric is any textile formed by weaving. Woven fabrics, often created on a loom, are made of many threads woven in a warp and weft. Technically, a woven fabric is any fabric made by interlacing two or more threads at right angles to one another. Woven fabrics can be made of natural fibers, synthetic fibers, or a mixture of both, such as cotton and polyester. Woven fabrics are used for clothing, garments, decorations, furniture, carpets and other uses.

In the manufacture of cloth, warp and weft are the two basic components in weaving to transform thread and yarn into textile fabrics. The vertical warp yarns are held stationary in tension on a loom (frame) while the horizontal weft (also called the woof) is drawn through (inserted over and under) the warp thread. In the terminology of weaving, each warp thread is called a warp end; a pick is a single weft thread that crosses the warp thread (synonymous terms are fill yarn and filling yarn).

In the 18th century, the Industrial Revolution facilitated the industrialisation of the production of textile fabrics with the picking stick and the flying shuttle, the latter of which was invented by John Kay, in 1733. The mechanised power loom was patented by Edmund Cartwright in 1785, which allowed sixty picks per minute.

The 19th century began on 1 January 1801 (represented by the Roman numerals MDCCCI), and ended on 31 December 1900 (MCM). It was the 9th century of the 2nd millennium. It was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanded beyond its British homeland for the first time during the 19th century, particularly remaking the economies and societies of the Low Countries, France, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Catholic Church, in response to the growing influence and power of modernism, secularism and materialism, formed the First Vatican Council in the late 19th century to deal with such problems and confirm certain Catholic doctrines as dogma. Religious missionaries were sent from the Americas and Europe to Asia, Africa and the Middle East.

In the Middle East, it was an era of change and reform. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. Reformers were opposed at every turn by conservatives who strove to maintain the centuries-old Islamic laws and social order. The 19th century also saw the collapse of the large Spanish, Portuguese, French and Mughal empires, which paved the way for the growing influence of the British, French, German, Russian, Austro-Hungarian, Italian, and Japanese empires along with the United States.

A power loom is a mechanized loom that automates the weaving of cloth through leveraging mechanical power. It interlaces warp and weft threads via mechanisms like cams, gears, levers, and pulleys, replicating motions previously done manually. The mechanization of weaving dramatically increased production efficiency, contributing to the rise of large-scale textile factories during the Industrial Revolution.

Though the idea is older and experimentation predates him, Edmund Cartwright is credited with initiating power loom development with his 1785 patent. His initial versions were rudimentary but they pioneered automated weaving and laid the groundwork for factory-based production. By the early 19th century, improvements had made power looms reliable and widely adopted across Europe and North America, ushering in a new era of textile manufacturing. Cartwright’s invention marked the beginning of mechanized weaving, drastically reducing reliance on skilled handweavers.

Tapestry is a form of textile art which was traditionally woven by hand on a loom. Normally it is used to create images rather than patterns. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. Most weavers use a natural warp thread, such as wool, linen, or cotton. The weft threads are usually wool or cotton but may include silk, gold, silver, or other alternatives.

In late medieval Europe, tapestry was the grandest and most expensive medium for figurative images in two dimensions, and despite the rapid rise in importance of painting it retained this position in the eyes of many Renaissance patrons until at least the end of the 16th century, if not beyond. The European tradition continued to develop and reflect wider changes in artistic styles until the French Revolution and Napoleonic Wars, before being revived on a smaller scale in the 19th century.

The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. The trio are generally conceived of as sisters and are often given the names Clotho, Lachesis, and Atropos, which are the names of the Moirai, the version of the Fates who appear in Greek mythology. These divine figures are often artistically depicted as beautiful maidens with consideration to their serious responsibility: the life of mortals. Poets, on the other hand, typically express the Fates as ugly and unwavering, representing the gravity of their role within the mythological and human worlds.