Long poem in the context of Mahābhārata


Long poem in the context of Mahābhārata

⭐ Core Definition: Long poem

The long poem is a literary genre including all poetry of considerable length. Though the definition of a long poem is vague and broad, the genre includes some of the most important poetry ever written.

With more than 220,000 (100,000 shloka or couplets) verses and about 1.8 million words in total, the Mahābhārata is one of the longest epic poems in the world. It is roughly ten times the size of the Iliad and Odyssey combined, roughly five times longer than Dante's Divine Comedy, and about four times the size of the Ramayana and Ferdowsi's Shahnameh.

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Long poem in the context of H.D.

Hilda Doolittle (September 10, 1886 – September 27, 1961) was an American modernist poet, novelist, and memoirist who wrote under the name H.D. throughout her life. Her career began in 1911 after she moved to London and co-founded the avant-garde Imagist group of poets with American expatriate poet and critic Ezra Pound. During this early period, her minimalist free verse poems depicting Classical motifs drew international attention. Eventually distancing herself from the Imagist movement, she experimented with a wider variety of forms, including fiction, memoir, and verse drama. Reflecting the trauma she experienced in London during the Blitz, H.D.'s poetic style from World War II until her death pivoted towards complex long poems on esoteric and pacifist themes.

H.D. was born in Bethlehem, Pennsylvania, to wealthy and educated parents. Discovering her bisexuality, she had her first same-sex relationship while attending Bryn Mawr College between 1904 and 1906. After years of friendship, H.D. became engaged to Pound and followed him to London in 1911, where he championed her work. Their relationship soon fell apart, however, and H.D. instead married the Imagist poet Richard Aldington in 1913. In 1918, she met the novelist Bryher, who became her romantic partner and close friend until her death. An associate literary editor of the Egoist journal between 1916 and 1917, H.D. was published by The English Review and The Transatlantic Review. During World War I, both her brother and father died, and she separated from Aldington. She was treated by Sigmund Freud during the 1930s, as she sought to address and understand both her war trauma and bisexuality.

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Long poem in the context of Hart Crane

Harold Hart Crane (21 July 1899 – 27 April 1932) was an American poet. Inspired by the Romantics and his fellow Modernists, Crane wrote highly stylized poetry, often noted for its complexity. His collection White Buildings (1926), featuring "Chaplinesque", "At Melville's Tomb", "Repose of Rivers" and "Voyages", helped to cement his place in the avant-garde literary scene of the time. The long poem The Bridge (1930) is an epic inspired by the Brooklyn Bridge.

Crane was born in Garrettsville, Ohio, to Clarence A. Crane and Grace Edna Hart. He dropped out of East High School in Cleveland during his junior year and left for New York City, promising his parents he would later attend Columbia University. Crane took various jobs, including in copywriting and advertising. Throughout the early 1920s, various small but well-respected literary magazines published some of Crane's poems, gaining him among the avant-garde a respect that White Buildings ratified and strengthened. His ambition to synthesize America was expressed in The Bridge, intended to be an uplifting counter to T. S. Eliot's The Waste Land (1922). Initial critical reaction to it was mixed, with many praising the scope but criticizing the quality of the poems. On April 27, 1932, Crane, in an inebriated state, jumped off the steamship USS Orizaba and into the Atlantic Ocean while the ship was en route from Vera Cruz to New York via Havana, Cuba. He left no suicide note, but witnesses to his jump believed he was intentionally killing himself. Throughout his life, he had multiple homosexual relations, many of which were described in, or otherwise influenced, his poetry. He had one known female partner, Peggy Cowley, around a year before his death.

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Long poem in the context of Canto

The canto (Italian pronunciation: [ˈkanto]) is a principal form of division in medieval and modern long poetry.

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Long poem in the context of The Bridge (long poem)

The Bridge, first published in 1930 by the Black Sun Press, is Hart Crane's first, and only, attempt at a long poem. (Its primary status as either an epic or a series of lyrical poems remains contested; recent criticism tends to read it as a hybrid, perhaps indicative of a new genre, the "modernist epic.")

The Bridge was inspired by New York City's "poetry landmark", the Brooklyn Bridge. Crane lived for some time at 110 Columbia Heights in Brooklyn, where he had an excellent view of the bridge; only after The Bridge was finished did Crane learn that one of its key builders, Washington Roebling, had once lived at the same address.

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