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👉 Locus classicus in the context of Well-made play
The well-made play (French: la pièce bien faite, pronounced [pjɛs bjɛ̃ fɛt]) is a dramatic genre from nineteenth-century theatre, developed by the French dramatist Eugène Scribe. It is characterised by concise plotting, compelling narrative and a largely standardised structure, with little emphasis on characterisation and intellectual ideas.
Scribe, a prolific playwright, wrote several hundred plays between 1815 and 1861, usually in collaboration with co-authors. His plays, breaking free from the old neoclassical style of drama seen at the Comédie Française, appealed to the theatre-going middle classes. The "well-made" form was adopted by other French and foreign playwrights and remained a key feature of the theatre well into the 20th century.
Locus classicus in the context of Cause célèbre
A cause célèbre (/ˌkɔːz səˈlɛb(rə)/ KAWZ sə-LEB(-rə), French: [koz selɛbʁ]; pl. causes célèbres, pronounced like the singular) is an issue or incident arousing widespread controversy, outside campaigning, and heated public debate. The term is sometimes used positively for celebrated legal cases for their precedent value (each locus classicus or "case-in-point") and more often negatively for infamous ones, whether for scale, outrage, scandal, or conspiracy theories. The term is a French phrase in common usage in English. Since it has been fully adopted into English and is included unitalicized in English dictionaries, it is not normally italicized despite its French origin.
It has been noted that the public attention given to a particular case or event can obscure the facts rather than clarify them. As John Humffreys Parry states, "The true story of many a cause célèbre is never made manifest in the evidence given or in the advocates' orations, but might be recovered from these old papers when the dust of ages has rendered them immune from scandal".