Lucius Livius Andronicus (/ˈlɪviəs/; Greek: Λούκιος Λίβιος Ανδρόνικος; c. 284 – c. 204 BC) was a Greco-Roman dramatist and epic poet of the Old Latin period during the Roman Republic. He began as an educator in the service of a noble family, producing Latin translations of Greek works, including Homer's Odyssey. The translations were meant, at first, as educational devices for the school which he founded. He also wrote works for the stage—both tragedies and comedies—which are regarded as the first dramatic works written in the Latin language. His comedies were based on Greek New Comedy and featured characters in Greek costume. Thus, the Romans referred to this new genre by the term comoedia palliata or fabula palliata, meaning "cloaked comedy," the pallium being a Greek-style cloak. The Roman biographer Suetonius later coined the term "half-Greek" of Livius and Ennius (referring to their genre, not their ethnic backgrounds). The genre was imitated by later generations of playwrights, and Andronicus is accordingly regarded as the father of Roman drama and of Latin literature in general; that is, he was the first man of letters to write in Latin. Varro, Cicero, and Horace, all men of letters during the subsequent Classical Latin period, considered Livius Andronicus to have been the originator of Latin literature. He is the earliest Roman poet whose name is known.
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Livius Andronicus in the context of Plautus
Titus Maccius Plautus (/ˈplɔːtəs/ PLAW-təs; c. 254 – 184 BC) was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by Livius Andronicus, the innovator of Latin literature. The word Plautine /ˈplɔːtaɪn/ (PLAW-tyne) refers to both Plautus's own works and works similar to or influenced by his.He influenced some of the greatest figures in literature, including Shakespeare and Molière (The Miser is partly modeled after Plautus's Aulularia).
Livius Andronicus in the context of Taranto
Taranto (Italian: [ˈtaːranto] ; Tarantino: Tarde), historically also called Tarent in English, is a coastal city in Apulia, Southern Italy. It is the capital of the province of Taranto, serving as an important commercial port as well as the main Italian naval base. With a population of 185,909 as of 2025, Taranto is the second-largest city in Apulia.
Founded by Spartans in the 8th century BC during the period of Greek colonisation, Taranto was among the most important poleis in Magna Graecia, becoming a cultural, economic and military power that gave birth to philosophers, strategists, writers and athletes such as Archytas, Aristoxenus, Livius Andronicus, Heracleides, Iccus, Cleinias, Leonidas, Lysis and Sosibius. By 500 BC, the city was among the largest in the world, with a population estimated up to 300,000 people. The seven-year rule of Archytas marked the apex of its development and recognition of its hegemony over other Greek colonies of southern Italy.
Livius Andronicus in the context of Saturnian (poetry)
Saturnian meter or verse is an old Latin and Italic poetic form, of which the principles of versification have become obscure. Only 132 complete uncontroversial verses survive. 95 literary verses and partial fragments have been preserved as quotations in later grammatical writings, as well as 37 verses in funerary or dedicatory inscriptions. The majority of literary Saturnians come from the Odysseia (more commonly known as the Odissia or Odyssia), a translation/paraphrase of Homer's Odyssey by Livius Andronicus (c. 3rd century BC), and the Bellum Poenicum, an epic on the First Punic War by Gnaeus Naevius (c. 3rd century BC).
The meter was moribund by the time of the literary verses and forgotten altogether by classical times, falling out of use with the adoption of the hexameter and other Greek verse forms. Quintus Ennius is the poet who is generally credited with introducing the Greek hexameter in Latin, and dramatic meters seem to have been well on their way to domestic adoption in the works of his approximate contemporary Plautus. These Greek verse forms were considered more sophisticated than the native tradition; Horace called the Saturnian horridus ('rude'). Consequently, the poetry in this meter was not preserved. Cicero regretted the loss in his Brutus: