List of Caribbean music genres in the context of Bachata (music)

Urban contemporary music, also known as urban music, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop rap, quiet storm, urban adult contemporary and hip hop; Latin music such as Latin pop, Chicano R&B and Chicano rap; and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul.

Because urban music is a largely U.S. phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City; Washington, D.C.; Detroit; Atlanta; Miami; Chicago; Cleveland; Philadelphia; Pittsburgh; Montgomery; Memphis; St. Louis; Newark; Charleston; New Orleans; Milwaukee; Cincinnati; Dallas; Houston; Oakland; Sacramento; Los Angeles; Trenton; Columbia; Jacksonville; Flint; Baltimore; Boston; Birmingham; Indianapolis; Augusta; Richmond; Charlotte; Savannah; Hartford; and Jackson.

A maraca (/məˈrækə/ mə-RAK-ə, US also /məˈrɑːkə/ mə-RAH-kə, Brazilian Portuguese: [maˈɾakɐ] ), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. A maraca player in the Spanish language is called a maraquero.

Yoruba music is the pattern/style of music practiced by the Yoruba people of Nigeria, Togo, and Benin. It is perhaps best known for its extremely advanced drumming tradition and techniques, especially using the gongon hourglass shape tension drums. Yoruba folk music became perhaps the most prominent kind of West African music in Afro-Latin and Caribbean musical styles; it left an especially important influence on the music used in Santería practice and the music of Cuba.

The Yoruba people of south-western Nigeria are also one of the most socially diverse groups on the African continent. A major feature that sets them apart from other groups in Nigeria is their accomplishment in the arts and entertainment industry, especially in music. Jùjú, fùjì, àpàlà and sákárà music are among the popular genres of music that originated among the Yoruba people. How and when these forms of music emerged in the Nigerian music scene has remained a puzzle to historians. However, it is generally believed that these genres of music originated from popular folk music among the Yoruba people during the colonial era and gradually grew to become popular forms of music in the country after independence in 1960. This paper traces the origin and the significance of Yoruba traditional music in Nigeria as well as its roles in popularising the cultural values and heritage of the Yoruba people at home and in the diaspora. It is argued that music constitutes an important medium through which Yoruba values have been sustained in society in the face of the aggressive cultural imperialism that is fast encroaching the African continent. For a comprehensive discussion of Yoruba music, see Bode Omojola's book, Yoruba Music in the Twentieth Century (University of Rochester Press, 2012).