Shakespeare's sonnets in the context of "Shakespeare"

⭐ In the context of William Shakespeare's literary achievements, his collection of 154 poems is most accurately identified as what form of poetry?

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⭐ Core Definition: Shakespeare's sonnets

William Shakespeare (c. 23 April 1564 – 23 April 1616) wrote sonnets on a variety of themes. When discussing or referring to Shakespeare's sonnets, it is almost always a reference to the 154 sonnets that were first published all together in a quarto in 1609. However, there are six additional sonnets that Shakespeare wrote and included in the plays Romeo and Juliet, Henry V and Love's Labour's Lost. There is also a partial sonnet found in the play Edward III.

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Shakespeare's sonnets in the context of William Shakespeare

William Shakespeare (c. 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" or simply "the Bard". His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted.

Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592 he began a successful career in London as an actor, writer, and part-owner ("sharer") of a playing company called the Lord Chamberlain's Men, later known as the King's Men after the ascension of King James VI of Scotland to the English throne. At age 49 (around 1613) he appears to have retired to Stratford, where he died three years later. Few records of Shakespeare's private life survive; this has stimulated considerable speculation about such matters as his physical appearance, his sexuality, his religious beliefs and even certain fringe theories as to whether the works attributed to him were written by others.

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Shakespeare's sonnets in the context of Sexuality of William Shakespeare

The sexuality of William Shakespeare has been the subject of debate. It is known from public records that he married Anne Hathaway and had three children with her; scholars have examined their relationship through documents, and particularly through the bequests to her in his will. Some historians have speculated Shakespeare had affairs with other women, based on contemporaries' written anecdotes of such affairs and sometimes on the "Dark Lady" figure in his sonnets.

Some scholars have argued he was bisexual, based on analysis of the sonnets; many, including Sonnet 18, are love poems addressed to a man (the "Fair Youth"), and contain puns relating to homosexuality. Whereas, other scholars criticized this view stating that these passages are referring to platonic friendship, rather than sexual love. Another explanation is that the poems are not autobiographical but fiction, another of Shakespeare's "dramatic characterization[s]", so that the narrator of the sonnets should not be presumed to be Shakespeare himself.

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Shakespeare's sonnets in the context of Dark Lady (Shakespeare)

The Dark Lady is a woman described in Shakespeare's sonnets (sonnets 127–152), and so called because the poems make it clear that she has black wiry hair, and dark, "dun"-coloured skin. The description of the Dark Lady distinguishes itself from the Fair Youth sequence by being overtly sexual. Among these, Sonnet 151 has been characterised as "bawdy" and is used to illustrate the difference between the spiritual love for the Fair Youth and the sexual love for the Dark Lady. The distinction is commonly made in the introduction to modern editions of the sonnets. As with the Fair Youth sequence, there have been many attempts to identify her with a real historical individual. A widely held scholarly opinion, however, is that the "dark lady" is nothing more than a construct of Shakespeare's imagination and art, and any attempt to identify her with a real person is "pointless".

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Shakespeare's sonnets in the context of Sonnet 18

Sonnet 18 (also known as "Shall I compare thee to a summer's day") is one of the best-known of the 154 sonnets written by English poet and playwright William Shakespeare.

In the sonnet, the speaker asks whether he should compare the Fair Youth to a summer's day, but notes that he has qualities that surpass a summer's day, which is one of the themes of the poem. He also notes the qualities of a summer day are subject to change and will eventually diminish. The speaker then states that the Fair Youth will live forever in the lines of the poem, as long as it can be read. There is an irony being expressed in this sonnet: it is not the actual young man who will be eternalized, but the description of him contained in the poem, and the poem contains scant or no description of the young man, but instead contains vivid and lasting descriptions of a summer day, which the young man is supposed to outlive.

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Shakespeare's sonnets in the context of George Chapman

George Chapman (c. 1559 – 12 May 1634) was an English dramatist, translator and poet. He was a classical scholar whose work shows the influence of Stoicism. Chapman is seen as an anticipator of the metaphysical poets of the 17th century. He is best remembered for his translations of Homer's Iliad and Odyssey, and the Homeric Batrachomyomachia.

Shakespeare was a contemporary of Chapman, and there is evidence that he knew some of Chapman's work. William Minto proposed Chapman as a candidate for being the "Rival Poet" mentioned in Shakespeare's sonnets.

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Shakespeare's sonnets in the context of Sonnet 151

Sonnet 151 is the 151st of 154 poems in sonnet form by William Shakespeare published in a 1609 collection titled Shakespeare's sonnets. The sonnet belongs to the Dark Lady sequence (sonnets 127–152), which distinguishes itself from The Fair Youth sequence by being more overtly sexual in its passion. Sonnet 151 is characterized as "bawdy" and is used to illustrate the difference between the spiritual love for the Fair Youth and the sexual love for the Dark Lady. The distinction is commonly made in the introduction to modern editions of the sonnets in order to avoid suggesting that Shakespeare was homosexual.

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