Library of Ashurbanipal in the context of "The Outline of History"

The Epic of Gilgamesh (/ˈɡɪlɡəmɛʃ/) is an epic from ancient Mesopotamia. The literary history of Gilgamesh begins with five Sumerian poems about Gilgamesh (formerly read as Sumerian "Bilgames"), king of Uruk, some of which may date back to the Third Dynasty of Ur (c. 2100 BCE). These independent stories were later used as source material for a combined epic in Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BCE and is titled after its incipit, Shūtur eli sharrī ("Surpassing All Other Kings"). Only a few tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates to somewhere between the 13th to the 10th centuries BCE and bears the incipit Sha naqba īmuru ("He Who Saw the Deep(s)", lit. "He Who Sees the Unknown"). Approximately two-thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BCE Assyrian King Ashurbanipal.

The first part of the story discusses Gilgamesh (who was king of Uruk) and Enkidu, a wild man created by the gods to stop Gilgamesh from oppressing the people of Uruk. After Enkidu becomes civilized through sexual initiation with Shamhat, he travels to Uruk, where he challenges Gilgamesh to a test of strength. Gilgamesh wins the contest; nonetheless, the two become friends. Together they make a six-day journey to the legendary Cedar Forest, where they ultimately slay its Guardian, Humbaba, and cut down the sacred Cedar. The goddess Ishtar sends the Bull of Heaven to punish Gilgamesh for spurning her advances. Gilgamesh and Enkidu kill the Bull of Heaven, insulting Ishtar in the process, after which the gods decide to sentence Enkidu to death and kill him by giving him a fatal illness.

Esarhaddon's Treaty with Ba'al is an Assyrian clay tablet inscription describing a treaty between Esarhaddon (reigned 681 to 669 BC) and Ba'al of Tyre. It was found in the Library of Ashurbanipal.

Sir Austen Henry Layard GCB (/lɛərd/; 5 March 1817 – 5 July 1894) was an English Assyriologist, traveller, cuneiformist, art historian, draughtsman, collector, politician and diplomat. He was born to a mostly English family in Paris and largely raised in Italy. He is best known as the excavator of Nimrud and of Nineveh, where he uncovered a large proportion of the Assyrian palace reliefs known, and in 1851 the library of Ashurbanipal. Most of his finds are now in the British Museum. He made a large amount of money from his best-selling accounts of his excavations.

He had a political career between 1852, when he was elected as a Member of Parliament, and 1869, holding various junior ministerial positions. He was then made ambassador to Madrid, then Constantinople, living much of the time in a palazzo he bought in Venice. During this period he built up a significant collection of paintings, which due to a legal loophole he had as a diplomat, he was able to extricate from Venice and bequeath to the National Gallery (as the Layard Bequest) and other British museums.

Ancient text corpora are the entire collection of texts from the period of ancient history, defined in this article as the period from the beginning of writing up to 300 AD. These corpora are important for the study of literature, history, linguistics, and other fields, and are a fundamental component of the world's cultural heritage.

Chinese, Latin, and Greek are examples of ancient languages with significant text corpora, although much of these corpora are known to us via transmission (frequently via medieval manuscript copies) rather than in their original form. These texts – both transmitted and original – provide valuable insights into the history and culture of different regions of the world, and have been studied for centuries by scholars and researchers. Other ancient texts – particularly stone inscriptions and papyrus scrolls – have been published following archaeological research, notably the cuneiform corpus of c.10 million words and the c.5 million words in ancient Egyptian.

The Descent of Inanna into the Underworld (or, in its Akkadian version, Descent of Ishtar into the Underworld) or Angalta ("From the Great Sky") is a Sumerian myth that narrates the descent of the goddess Inanna (Ishtar in Akkadian) into the Underworld to overthrow its ruler, her sister Ereshkigal, the "Queen of the Dead." But following the removal of her adornments, she perishes and her corpse is suspended on a nail. The god Enki intervenes indirectly, restoring Inanna to life. However, on her return journey, Inanna is required to deliver another living human in exchange for her freedom. She selects Dumuzi, her spouse, who is abruptly transported to the Underworld. In response to the pleas of Dumuzi's sister, Geshtinanna, his circumstances are somewhat ameliorated: he is permitted to remain in the Underworld for only a portion of the year, with his sister assuming his role for the remaining duration.

The myth exists in two main versions: one in Sumerian and the other in Akkadian. The Akkadian version was first discovered and translated in the 1860s. The existence of the longer and older Sumerian version was first established in the early 20th century, but it required approximately fifty years for epigraphists to fully reconstruct and translate it.

Enūma Eliš (Akkadian Cuneiform: 𒂊𒉡𒈠𒂊𒇺, also spelled "Enuma Elish"), meaning "When on High", is a Babylonian creation myth (named after its opening words) from the late 2nd millennium BCE and the only complete surviving account of ancient near eastern cosmology. It was recovered by English archaeologist Austen Henry Layard in 1849 (in fragmentary form) in the ruined Library of Ashurbanipal at Nineveh (Mosul, Iraq). A form of the myth was first published by English Assyriologist George Smith in 1876; active research and further excavations led to near completion of the texts and improved translation.

Enūma Eliš has about a thousand lines and is recorded in Akkadian on seven clay tablets, each holding between 115 and 170 lines of Sumero-Akkadian cuneiform script. Most of Tablet V has never been recovered, but, aside from this lacuna, the text is almost complete.

The Epic of Gilgamesh (/ˈɡɪlɡəmɛʃ/) is an epic from ancient Mesopotamia. The literary history of Gilgamesh begins with five Sumerian poems about Gilgamesh (formerly read as Sumerian "Bilgames"), king of Uruk, some of which may date back to the Third Dynasty of Ur (c. 2100 BCE). These independent stories were later used as source material for a combined epic in Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BCE and is titled after its incipit, Shūtur eli sharrī ("Surpassing All Other Kings"). Only a few tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates to somewhere between the 13th to the 10th centuries BCE and bears the incipit Sha naqba īmuru ("He Who Saw the Deep(s)", lit. "He Who Sees the Unknown"). Approximately two-thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BCE Assyrian King Ashurbanipal.

The first part of the story discusses Gilgamesh, king of Uruk, and Enkidu, a wild man created by the gods to stop Gilgamesh from oppressing his people. After Enkidu becomes civilized through sexual initiation with Shamhat, he travels to Uruk, where he challenges Gilgamesh to a test of strength. Gilgamesh wins the contest; nonetheless, the two become friends. Together, they make a six-day journey to the legendary Cedar Forest, where they ultimately slay its Guardian, Humbaba, and cut down the sacred Cedar. The goddess Ishtar sends the Bull of Heaven to punish Gilgamesh for spurning her advances. Gilgamesh and Enkidu kill it, insulting Ishtar in the process. The gods decide to sentence Enkidu to death by giving him a fatal illness.