Julie or the New Heloise (French: Julie ou la nouvelle Héloïse), originally entitled Lettres de Deux Amans, Habitans d'une petite Ville au pied des Alpes (Letters from two lovers, living in a small town at the foot of the Alps), is an epistolary novel by Jean-Jacques Rousseau, published in 1761 by Marc-Michel Rey in Amsterdam. The novel's subtitle points to the history of Héloïse d'Argenteuil and Peter Abélard, a medieval story of passion and Christian renunciation.
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👉 Julie, or the New Heloise in the context of Jean-Jacques Rousseau
Jean-Jacques Rousseau (UK: /ˈruːsoʊ/, US: /ruːˈsoʊ/; French: [ʒɑ̃ʒak ʁuso]; 28 June 1712 – 2 July 1778) was a Genevan philosopher, philosophe, writer, and composer. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational thought.
Rousseau's Discourse on Inequality, which argues that private property is the source of inequality, and The Social Contract, which outlines the basis for a legitimate political order, are cornerstones in modern political and social thought. Rousseau's sentimental novel Julie, or the New Heloise (1761) was important to the development of preromanticism and romanticism in fiction. His Émile, or On Education (1762) is an educational treatise on the place of the individual in society. Rousseau's autobiographical writings—the posthumously published Confessions (completed in 1770), which initiated the modern autobiography, and the unfinished Reveries of the Solitary Walker (composed 1776–1778)—exemplified the late 18th-century "Age of Sensibility", and featured an increased focus on subjectivity and introspection that later characterized modern writing.
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Julie, or the New Heloise in the context of The Last Letters of Jacopo Ortis
The Last Letters of Jacopo Ortis (Italian: Ultime lettere di Jacopo Ortis) is an epistolary novel written by Ugo Foscolo between 1798 and 1802 and first published later that year. A second edition, with major changes, was published by Foscolo in Zurich (1816) and a third one in London (1817).
The model was Goethe's novel The Sorrows of Young Werther (1774). Another influence is Rousseau's Julie, or the New Heloise (1761). Foscolo's work was also inspired by the political events that occurred in Northern Italy during the Napoleonic period, when the Fall of the Republic of Venice and the subsequent Treaty of Campoformio forced Foscolo to go into exile from Venice to Milan. The autobiographic elements reflect into the novel.